Online research in philosophy

This article aims at reconstructing the most damaged part of the Strasbourg papyrus of Empedocles (fragment f-d), by taking into account all the parameters at our disposal: palaeography, metre and, of course, content. According to this attempt, Empedocles would be describing the very moment in the phase of increasing Strife when the whole-natured creatures (the ολοφυ) were split into male and female beings. Thus, the first part of the fragment becomes very similar, in its content, to fr. 62 D.-K. and to Plato's parody of Empedocles in Aristophanes' myth in the Symposium , while its second part emerges as containing new details of the process by which double creatures were split into two. If this reconstruction is accepted, its implication will be that Aetius' presentation of Empedocles' cosmic cycle as a fourfold continuous process is deeply inadequate.

Countless poets and thinkers over the ages have identified closely with Empedocles of Acragas. Friedrich Hölderlin (1770–1843) is one of these. The threeversions of his mourning-play, The Death of Empedocles, give us an opportunity to conceive of the unity of the Empedoclean project—to confront nature and humanexistence alike as tragic. Central to this tragic view of both On Nature and Purifications, reputedly the two books of Empedocles, is the theme of doubling and duplicity, especially the presence in the (one) sphere of love and strife. Tragic doubling is a unity in perpetual dispersion.

This book offers the first complete reinterpretation of Empedocles-one of the founding figures of Western philosophy-since the publication of the Strasbourg ...

It is no longer generally believed that Empedocles was the divided character portrayed by nineteenth-century scholars, a man whose scientific and religious views were incompatible but untouched by each other. Yet it is still widely held that, however unitary his thought, nevertheless he still wrote more than one poem, and that his poems can be clearly divided between those which do, and those which do not, concern ‘religious matters’.1 Once this assumption can be shown to be shaky or actually false, the grounds for dividing the quotations of Empedocles into two poems by subject matter disappear; and without that division our interpretation of Empedocles stands in need of radical revision. This paper startswith the modest task of showing that Empedocles may have written only one philosophical poem and not two, and goes on to suggest some of the ways in which we have to rethink the whole story if he did. If all our material belongs to one poem we are bound to link the cycle of the daimones with that of the elements, and this has far-reaching consequences for our interpretation.