Style in Musical Art
Hyperion Press (1924)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | Music Philosophy and aesthetics Style, Musical | |||||||||
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| Buy the book | $27.93 direct from Amazon (24% off) Amazon page | |||||||||
| Call number | ML3845.P18 1979 | |||||||||
| ISBN(s) | 1177641313 0883558076 | |||||||||
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Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
Rita Aiello & John A. Sloboda (eds.) (1994). Musical Perceptions. Oxford University Press.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Jerrold Levinson (1997). Music in the Moment. Cornell University Press.
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Byong Won Lee (1997). Styles and Esthetics in Korean Traditional Music. National Center for Korean Traditional Performing Arts, Ministry of Culture and Sports, Republic of Korea.
Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.
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