David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Topics in Cognitive Science 4 (4):625-652 (2012)
Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond
|Keywords||Aesthetics Expectation Creativity Pitch Prediction Probabilistic modeling Musical melody Segmentation|
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Michael R. Brent (1999). Speech Segmentation and Word Discovery: A Computational Perspective. Trends in Cognitive Sciences 3 (8):294-301.
Jeffrey L. Elman (1990). Finding Structure in Time. Cognitive Science 14 (2):179-211.
Citations of this work BETA
David Huron (2012). Two Challenges in Cognitive Musicology. Topics in Cognitive Science 4 (4):678-684.
Martin Rohrmeier & Patrick Rebuschat (2012). Implicit Learning and Acquisition of Music. Topics in Cognitive Science 4 (4):525-553.
Marcus Pearce & Martin Rohrmeier (2012). Music Cognition and the Cognitive Sciences. Topics in Cognitive Science 4 (4):468-484.
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