Graduate studies at Western
Topics in Cognitive Science 4 (4):625-652 (2012)
|Abstract||Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond|
|Keywords||Aesthetics Expectation Creativity Pitch Prediction Probabilistic modeling Musical melody Segmentation|
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