Journal of the History of Philosophy 49 (4):503-504 (2011)
|Abstract||Kant thinks poetry is the greatest of all the arts, and that Milton is one of the greatest poets. Sanford Budick, a professor of English from Hebrew University, investigates the Miltonic echoes in Kant’s work in this very thorough, dense, and deliberate study. Budick argues that Milton’s poetic form, especially his use of successive images, informs some of the most crucial and complex passages in Kant’s ethical and aesthetic theory. Budick concedes that it may seem strange to blur the line between poetry and philosophy, but he also underlines the fact that “in Kant’s world poetry and philosophy had not yet experienced the virtual divorce that characterizes our own age” (119). Budick contends that the ..|
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