David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Journal of Aesthetics and Art Criticism 69 (2):185-196 (2011)
Ever since their invention, photographic images have often been thought to be a special kind of image. Often, photography has been claimed to be a particularly realistic medium. At other times, photographs are said to be epistemically superior to other types of image. Yet another way in which photographs apparently are special is that our subjective experience of looking at photographs seems very different from our experience of looking at other types of image, such as paintings and drawings. While the other seemingly distinctive aspects of photography have been quite thoroughly discussed in the literature, theories of the experience of photography, or in other words, theories of its special phenomenology, are less common. To be sure, the phenomenon has often been pointed out and described, but explanations of the phenomenology of photography are rare. In this essay, I attempt an explanation of at least part of the phenomenology of photography by appealing to the idea, borrowed from André Bazin, that a photograph is a certain kind of trace. Along the way, it is also argued that Kendall Walton's so called “transparency thesis” cannot give a plausible explanation of the phenomenology associated with looking at photographs.
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Peter Osborne (2010). Infinite Exchange: The Social Ontology of the Photographic Image. Philosophy of Photography 1 (1):59-68.
Jiri Benovsky (2011). Three Kinds of Realism About Photographs. Journal of Speculative Philosophy 25 (4):375-395.
Jonathan Cohen & Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197–210.
Aaron Meskin & Jonathan Cohen (2008). Photographs as Evidence. In Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. Blackwell.
Dawn M. Phillips (2009). Photography and Causation: Responding to Scruton's Scepticism. British Journal of Aesthetics 49 (4):327-340.
Adina L. Roskies (2008). Neuroimaging and Inferential Distance. Neuroethics 1 (1):19-30.
Dominic McIver Lopes (2003). The Aesthetics of Photographic Transparency. Mind 112 (447):434--48.
Added to index2010-06-19
Total downloads118 ( #10,664 of 1,410,275 )
Recent downloads (6 months)11 ( #20,657 of 1,410,275 )
How can I increase my downloads?