David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 49 (4):327-340 (2009)
According to Roger Scruton, it is not possible for photographs to be representational art. Most responses to Scruton’s scepticism are versions of the claim that Scruton disregards the extent to which intentionality features in photography; but these cannot force him to give up his notion of the ideal photograph. My approach is to argue that Scruton has misconstrued the role of causation in his discussion of photography. I claim that although Scruton insists that the ideal photograph is defined by its ‘merely causal’ provenance, in fact he fails to take the causal provenance of photographs seriously enough. To replace Scruton’s notion of the ideal photograph, I offer a substantive account of the causal provenance of photographs, centred on the distinctive role of ‘the photographic event’. I conclude that, with a proper understanding of the photographic process, we have good reason to re-open the question of photography as a representational art.
|Keywords||Photography Causation Representational art Roger Scruton Photographic process Ideal photograph|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Dominic McIver Lopes (2003). The Aesthetics of Photographic Transparency. Mind 112 (447):434--48.
Dan Cavedon-Taylor (2010). In Defence of Fictional Incompetence. Ratio 23 (2):141-150.
Robert Hopkins (2012). Factive Pictorial Experience: What's Special About Photographs? Noûs 46 (4):709-731.
Fiona Ellis (2010). Scruton's Wagner on God, Salvation, and Eros. British Journal of Aesthetics 50 (2):169-187.
Dawn M. Phillips (2009). Fixing the Image: Re-Thinking the 'Mind-Independence' of Photographs. Postgraduate Journal of Aesthetics 6 (2):1-22.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
Diarmuid Costello & Dawn M. Phillips (2009). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4 (1):1-21.
Dawn M. Phillips (2007). The Real Challenge for an Aesthetics of Photography. In Aaron Ridley & Alex Neill (eds.), Arguing about Art (3rd ed.). Routledge.
Added to index2009-09-23
Total downloads86 ( #22,231 of 1,696,592 )
Recent downloads (6 months)9 ( #63,667 of 1,696,592 )
How can I increase my downloads?