David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophical Psychology (3):1-20 (2012)
A great deal of work in analytic philosophy of art is related to defining what counts as art. So far, cognitive approaches to art have almost entirely ignored this literature. In this paper I discuss the role of intuition in analytic philosophy of art, to show how an empirical research program on art could take advantage of existing work in analytic philosophy. I suggest that the first step of this research program should be to understand how people intuitively categorize something as art. Drawing on results from cognitive science and analytic philosophy, I show that the intuitive categorization of an artifact as art rests on the intentions attributed (frequently implicitly) to the creator of the artifact based both on its appearance and on background knowledge. I discuss how the issue of categorization is related to other empirical issues concerning our relationship to works of art, such as perception, appreciation, interpretation and evaluation
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Dustin Stokes (2014). Cognitive Penetration and the Perception of Art (Winner of 2012 Dialectica Essay Prize). Dialectica 68 (1):1-34.
Christy Mag Uidhir & P. D. Magnus (2011). Art Concept Pluralism. Metaphilosophy 42 (1-2):83-97.
Dominic McIver Lopes (2007). Conceptual Art is Not What It Seems. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
James Putnam (2001). Art and Artifact: The Museum as Medium. Thames & Hudson.
Donald Kuspit (1995). Art and Capital: An Ironic Dialectic. Critical Review 9 (4):465-482.
Dominic McIver Lopes (2007). Art Without ‘Art’. British Journal of Aesthetics 47 (1):1-15.
Lars Aagaard-Mogensen (ed.) (1976). Culture and Art: An Anthology. Humanities Press.
Anne D. R. Sheppard (1987). Aesthetics: An Introduction to the Philosophy of Art. Oxford University Press.
Peter Goldie & Elisabeth Schellekens (eds.) (2007). Philosophy and Conceptual Art. Oxford University Press.
Christy Mag Uidhir (2009). Why Pornography Can't Be Art. Philosophy and Literature 33 (1):pp. 193-203.
Laurie Adams (2006). The Making and Meaning of Art. Pearson/Prentice Hall.
Paulo Vélez León, Notes on the situation of contemporary art in ecuador (notas sobre la situación Del arte contemporáneo en ecuador).
Cristian Hainic (2011). A Few Uses of Phenomenology Within Art History. Journal for Communication and Culture 1 (1):70-78.
Added to index2012-11-17
Total downloads43 ( #55,187 of 1,696,506 )
Recent downloads (6 months)37 ( #8,433 of 1,696,506 )
How can I increase my downloads?