The theory of unconscious perception in music: A phenomenological criticism

Journal of Aesthetics and Art Criticism 25 (4):395-400 (1967)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.2307/428387

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,202

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Music criticism: principles and practice (with special reference to Karnataka music): a comprehensive and critical study.R. Sathyanarayana - 2006 - Bangalore: Vidwan R.K. Srikantan Trust.
Perception and meaning in serial music.Alfred Pike - 1963 - Journal of Aesthetics and Art Criticism 22 (1):55-61.
Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Hermeneutics and music criticism.Roger W. H. Savage - 2010 - New York: Routledge.
Philosophies of Music in Medieval Islam.Fadlou Shehadi - 1995 - E.J. Brill.
Music and the historical imagination.Leo Treitler - 1989 - Cambridge, Mass.: Harvard University Press.
The power of music and Whitehead's theory of perception.F. David Martin - 1967 - Journal of Aesthetics and Art Criticism 25 (3):313-322.
A history of key characteristics in the eighteenth and early nineteenth centuries.Rita Steblin - 1996 - Rochester, NY: University of Rochester Press.
Disambiguating conscious and unconscious influences: Do exclusion paradigms demonstrate unconscious perception?Michael Snodgrass - 2002 - American Journal of Psychology 115 (4):545-579.

Analytics

Added to PP
2009-01-28

Downloads
234 (#82,240)

6 months
4 (#678,769)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

No references found.

Add more references