Graduate studies at Western
Deleuze Studies 5 (supplement):98-115 (2011)
|Abstract||In The Future of the Image (2007) Jacques Rancière states that the end of images is behind us. He argues for an aesthetics of the image that acknowledges the continuing power of images as educating documentations of traces of history, as directly affecting interruptions, and as open-to-combining signs of the visible and the sayable ad infinitum. But does Rancière's claim also concern the future of cinema? His cinematic references, in a Deleuzian sense, are mostly to modern time-images. Is the future of film indeed a form of the time-image, or has the ‘heart’ of cinema moved beyond this image-type? This paper proposes to look at a third category of cinematographic images, based in the third synthesis of time as developed by Deleuze in Difference and Repetition. This filmic image, that could be called the neuro-image, is connected to the impure regime of images typical for the database logic of the digital age. By comparing Alain Resnais's Hiroshima Mon Amour (1959) to the television seriesFlashForward (2009), I will analyse the temporal operations of the image of the time-image to these images of a new regime of images, the image of and from the future.1.|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Patricia Pisters (2011). Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image. Deleuze Studies 5 (2):261-274.
Bogdan Nita (2012). Intentional Image and Transcendental Image in the Work of Art. Image 2 (2321):231.
Mohan Matthen (forthcoming). Image Content. In Berit Brogaard (ed.), Does Perception Have Content? Oxford University Press.
Anthony Uhlmann (2006). Samuel Beckett and the Philosophical Image. Cambridge University Press.
David Martin-Jones (2008). Towards Another '–Image': Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies 2 (1):25-48.
Craig Callender (2008). The Common Now. Philosophical Issues 18 (1):339-361.
Jay L. Garfield (2012). Sellarsian Synopsis: Integrating the Images. Humana.Mente - Journal of Philosophical Studies 21.
John Lechte (2012/2011). Genealogy and Ontology of the Western Image and its Digital Future. Routledge.
John Douglas Bishop (2000). Is Self-Identity Image Advertising Ethical? Business Ethics Quarterly 10 (2):371-398.
David Hodgson (2012). Identifying and Reconciling Two Images of “Man”. Humana.Mente - Journal of Philosophical Studies 21.
Patricia Pisters (2003). The Matrix of Visual Culture: Working with Deleuze in Film Theory. Stanford University Press.
Patricia Pisters (2012). The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture. Stanford University Press.
Added to index2011-11-24
Total downloads6 ( #154,770 of 722,946 )
Recent downloads (6 months)1 ( #61,087 of 722,946 )
How can I increase my downloads?