David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Stanford University Press (2003)
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
|Keywords||Motion pictures Philosophy Culture in motion pictures|
|Categories||categorize this paper)|
|Buy the book||$11.99 used (59% off) $18.00 new (38% off) $26.06 direct from Amazon (10% off) Amazon page|
|Call number||PN1995.P53 2003|
|ISBN(s)||0804740283 9780804740289 0804740275|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
David H. Fleming & William Brown (2011). Deterritorialisation and Schizoanalysis in David Fincher's Fight Club. Deleuze Studies 5 (2):275-299.
David Deamer (2011). A Deleuzian Cineosis: Cinematic Semiosis and Syntheses of Time. Deleuze Studies 5 (3):358-382.
Similar books and articles
Mary C. Gentile (1985). Film Feminisms: Theory and Practice. Greenwood Press.
David Martin-Jones (2011). Deleuze and World Cinemas. Continuum International Publishing Group.
Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.
Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
Ronald Bogue (2003). Deleuze on Cinema. Routledge.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Richard De Canio (1994). Cinematic Readings: A Primer of Film Culture. Chiu Yo Pub. House.
Added to index2009-01-28
Total downloads21 ( #85,234 of 1,099,963 )
Recent downloads (6 months)11 ( #21,231 of 1,099,963 )
How can I increase my downloads?