David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organized in four parts: · Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity. · Defining creativity, creating definitions traces the changing meaning of "create" from religious ideas of divine creation from nothing to advertising notions of concept creation. It also examines the complex history and extraordinary versatility of terms such as imagination, invention, inspiration and originality. · Creation as myth, story, metaphor begins with modern re-telling of early African, American and Australian creation myths and -picking up Biblical and evolutionary accounts along the way - works round to scientific visions of the Big Bang, bubble universes and cosmic soup. · Creative practices, cultural processes is a critical anthology of materials, chosen to promote fresh thinking about everything from changing constructions of "literature" and "design" to artificial intelligence and genetic engineering. Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or "re-creative" ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be
|Keywords||Creation (Literary, artistic, etc|
|Categories||categorize this paper)|
|Buy the book||$17.05 used (61% off) $18.89 new (57% off) $38.11 direct from Amazon (12% off) Amazon page|
|Call number||BH301.C84.P67 2005|
|ISBN(s)||0415349168 9780415349154 041534915X 9780415349161|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
Raffaella Trigona (2009). Caves: The Origins of the Aesthetic Mind. World Futures 65 (8):605-612.
Lars Geer Hammershøj (2009). Creativity as a Question of Bildung. Journal of Philosophy of Education 43 (4):545-558.
Lars HammershØj (2009). Creativity as a Question of Bildung. Philosophy of Education 43 (4):545-558.
Emma von AllenBrodzinski (2009). Deconstructing the Toolkit: Creativity and Risk in the NHS Workforce. [REVIEW] Health Care Analysis 17 (4):309-317.
Similar books and articles
Berys Nigel Gaut & Paisley Livingston (eds.) (2003). The Creation of Art: New Essays in Philosophical Aesthetics. Cambridge University Press.
David Bohm (1996). On Creativity. Routledge.
Denis Dutton & Michael Krausz (eds.) (1981). The Concept of Creativity in Science and Art. Distributors for the U.S. And Canada, Kluwer Boston.
L. Briskman (1981). Creative Product and Creative Process in Science and Art. In Denis Dutton & Michael Krausz (eds.), Inquiry. Distributors for the U.S. And Canada, Kluwer Boston 83 – 106.
Subrata Dasgupta (2008). Shedding Computational Light on Human Creativity. Perspectives on Science 16 (2):pp. 121-136.
Gordon D. Kaufman (2007). Special Topic: Confucian and Christian Conceptions of Creativity. Dao: A Journal of Comparative Philosophy 6 (2):105-113.
René Víctor Valqui Vidal (2013). To Be Human is to Be Creative. AI and Society 28 (2):237-248.
Larry Briskman (1980). Creative Product and Creative Process in Science and Art. Inquiry 23 (1):83 – 106.
Sven Rune Havsteen (ed.) (2007). Creations: Medieval Rituals, the Arts, and the Concept of Creation. Marston [Distributor].
Tomas Georg Hellström (2011). Aesthetic Creativity: Insights From Classical Literary Theory on Creative Learning. Educational Philosophy and Theory 43 (4):321-335.
Y. J. Erden (2010). Could a Created Being Ever Be Creative? Some Philosophical Remarks on Creativity and AI Development. Minds and Machines 20 (3):349-362.
Added to index2011-06-02
Total downloads21 ( #221,919 of 1,932,522 )
Recent downloads (6 months)1 ( #456,270 of 1,932,522 )
How can I increase my downloads?