David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organized in four parts: · Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity. · Defining creativity, creating definitions traces the changing meaning of "create" from religious ideas of divine creation from nothing to advertising notions of concept creation. It also examines the complex history and extraordinary versatility of terms such as imagination, invention, inspiration and originality. · Creation as myth, story, metaphor begins with modern re-telling of early African, American and Australian creation myths and -picking up Biblical and evolutionary accounts along the way - works round to scientific visions of the Big Bang, bubble universes and cosmic soup. · Creative practices, cultural processes is a critical anthology of materials, chosen to promote fresh thinking about everything from changing constructions of "literature" and "design" to artificial intelligence and genetic engineering. Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or "re-creative" ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be
|Keywords||Creation (Literary, artistic, etc|
|Categories||categorize this paper)|
|Buy the book||$15.50 new (64% off) $27.94 used (35% off) $42.95 direct from Amazon Amazon page|
|Call number||BH301.C84.P67 2005|
|ISBN(s)||0415349168 9780415349154 041534915X 9780415349161|
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Citations of this work BETA
Lars Geer Hammershøj (2009). Creativity as a Question of Bildung. Journal of Philosophy of Education 43 (4):545-558.
Raffaella Trigona (2009). Caves: The Origins of the Aesthetic Mind. World Futures 65 (8):605-612.
Lars HammershØj (2009). Creativity as a Question of Bildung. Philosophy of Education 43 (4):545-558.
Emma von AllenBrodzinski (2009). Deconstructing the Toolkit: Creativity and Risk in the NHS Workforce. [REVIEW] Health Care Analysis 17 (4):309-317.
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