From Gender as Performative to Feminist Performance Art
Radical Philosophy Review 12 (1/2):87-103 (2009)
| Abstract | Judith Butler’s idea of gender as performative (introduced in Gender Trouble and now a commonplace in feminist theory) is brought into dialogue with feminist performance art (exemplified by Valie Export, the Austrian media- and performance-artist). Butler’s claim that gender is performative and that it can be changed only through a parodic repetition of performative acts is revisited through the lens of Export’s subversive performance pieces. This “interaction” between theory and art practice shall highlight the political potential of Butler’s work and serve to expand her notion of parody as it pertains more directly to women and the female body | |||||||||
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Gill Jagger (2008). Judith Butler: Sexual Politics, Social Change and the Power of the Performative. Routledge.
J. Butler (forthcoming). Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal:519--531.
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Fei Shi (2009). The Impossible Bodies. Radical Philosophy Review 12 (1/2):105-119.
Penelope Deutscher (1997). Yielding Gender: Feminism, Deconstruction, and the History of Philosophy. Routledge.
Estella Lauter (1990). Re-Enfranchising Art: Feminist Interventions in the Theory of Art. Hypatia 5 (2):91 - 106.
Marla Morton-Brown (2004). Artificial Ef-Femination. Philosophy in the Contemporary World 11 (1):27-34.
Peggy Zeglin Brand (2006). Feminist Art Epistemologies: Understanding Feminist Art. Hypatia 21 (3):166-189.
Ann Ferguson (2005). Butler, Sex/Gender and a Postmodern Gender Theory. In Barbara S. Andrew, Jean Clare Keller & Lisa H. Schwartzman (eds.), Feminist Interventions in Ethics and Politics: Feminist Ethics and Social Theory. Rowman & Littlefield Publishers.
Jonathan A. Neufeld (2012). Critical Performances. Teorema (3):89-104.
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