Abstract

This paper uses the recent ‘network film’ of Mateo Garrone Gomorrah in order to let Alain Badiou’s theory of subjectivization-in-decision percolate through the immanent networks of contemporary ‘risk societies’ and the narrative structures through which they find expression in cinema. Adumbrating a tension between choices and decisions I seek to create ‘edges’ between two worlds that in the most part of Badiou’s work have been decisively and platonically separated: the world of being and the one of our embodied social experience. Cinema lends its dynamical and ‘tensed’ mediation in order for this new and open topology to be explored