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- Stefano Predelli (2008). Modal Monsters and Talk About Fiction. Journal of Philosophical Logic 37 (3):277-297.This paper argues in favor of a treatment of discourse about fiction in terms of operators on character, that is, Kaplanesque ‘monsters’. The first three sections criticize the traditional analysis of ‘according to the fiction’ as an intensional operator, and the approach to fictional discourse grounded on the notion of contextual shifts. The final sections explain how an analysis in terms of monsters yields the correct readings for a variety of examples involving modal and temporal indexicals.
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Chierchia (1989) and others have used the contrast between George hopes that he will win and Georges hopes to win in mistaken-self-identity scenarios, to argue for dedicated de se LFs. The argument, further strengthened by evidence of shiftable indexicals, appears applicable against any reductionist account that sees de se as merely a particular subtype of de re. My Acquaintance Resolution framework is an attempt at such a reduction, and this paper seeks to extend that theory with a logical principle of introspection for belief, to account for the data within a unified treatment of de re and de se.
Bob Hale in Hale 1995b posed a dilemma for modal fictionalism (more specifically, Rosen's version of modal fictionalism). A modal fictionalist who maintains the version outlined in Rosen 1990 believes that the fiction of possible worlds (PW, to use Rosen and Hale's abbreviation) is not literally true. The question arises, however, about its modal status. Is it necessarily false, or contingently false? In either case, Hale argues, the modal fictionalist is in trouble. Should the modal fictionalist claim that the story of possible worlds is necessarily false, then the modal fictionalist cannot gloss their "according to the fiction of possible worlds ... ." prefix as "were the fiction of possible worlds true, then ... would be true". This is because, according to Hale, conditional claims with antecedents which are necessarily false are automatically true, so it follows that if the fiction of possible worlds is taken to be necessarily false, all conditionals of the form "were the fiction of possible worlds true then ..." are true, and not merely the ones that the modal fictionalist wishes to endorse. If the modal fiction is to be useful, not everything should be true according to it: examples of claims that had better not be true according to it include the claim that 2+2=7, or the claim that there are no possible worlds. On the other hand, if the fiction of possible worlds (PW) is only contingently false, Hale claims this also lands the Rosen's fictionalism in unacceptable trouble, though it is not so clear why (see below). Let me discuss these horns in turn.
Fiction is often characterized by way of a contrast with truth, as, for example, in the familiar couplet “Truth is always strange/ Stranger than fiction" (Byron 1824). And yet, those who would maintain that “we will always learn more about human life and human personality from novels than from scientific psychology” (Chomsky 1988: 159) hold that some truth is best encountered via fiction. The scrupulous novelist points out that her work depicts no actual person, either living or dead; nonetheless, we use names from fiction in ways that suggest that we take these names to refer. Philosophers who investigate fiction aim to reconcile such apparently incompatible phenomena, and, in general, to account for the myriad ways that we talk, think, and feel about fiction.
This dissertation presents an account of fictional discourse which is teleological. According to it, questions about what is said in fiction and how it ought to be said are answerable in terms of the goals and methods belonging specifically to fiction-making as a practice. Viewed in such a way, it is argued that the incompleteness of fictional discourse and its apparent tolerance of inconsistency are distinctive of it. Moreover, it is argued that there is a sense in which one can produce true statements in fiction without thereby committing one self to the thesis that words made use of in fiction are endowed with reference. Throughout the dissertation, the view espoused in it is contrasted with rival positions on the issues of what fiction is about, and whether it can be true. It is argued that a teleological account of fictional discourse can present a coherent alternative to these.
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Kaplan (1989) insists that natural languages do not contain displacing devices which operate on character---such displacing devices are called monsters. This thesis has recently faced various empirical challenges (e.g. Schlenker 2003 and Anand & Nevins 2004). In this note, the thesis is challenged on grounds of a more theoretical nature. It is argued that the standard compositional semantics of variable binding employs monstrous operations. As a dramatic first example, Kaplan's formal language LD ("Logic of Demonstratives") is shown to contain monsters. For similar reasons, the orthodox lambda-calculus-based semantics for variable binding is argued to be monstrous. This technical point promises to provide some far-reaching implications for our understanding of semantic theory and content. The theoretical upshot of the discussion is at least threefold: (i) the Kaplanian thesis that "directly referential" terms are not shiftable/bindable is unmotivated, (ii) since monsters operate on something distinct from the assertoric content of their operands, we must distinguish ingredient sense from assertoric content (cf. Dummett 1973, Evans 1979 and Stanley 2002), and (iii) since the case of variable binding provides a paradigm of semantic shift that differs from the other types, it is plausible to think that indexicals---which are standardly treated by means of the assignment function---might undergo the same kind of shift.
Kaplan claims in Demonstratives that no operator may manipulate the context of evaluation of natural language indexicals. We show that this is not so. In fact, attitude reports always manipulate a context parameter (or, rather, a context variable). This is shown by (i) the existence of De Se readings of attitude reports in English (which Kaplan has no account for), and (ii) the existence of a variety of indexicals across languages whose point of evaluation can be shifted, but only in attitude reports. We develop an alternative account within an extensional framework with overt quantification over times, worlds and contexts. Various typological facts are discussed, esp. the distinction between English, Amharic and Ewe pronouns, and that between English and Russian tenses.
Kaplan says that monsters violate Principle 2 of his theory. Principle 2 is that indexicals, pure and demonstrative alike, are directly referential. In providing this explanation of there being no monsters, Kaplan feels his theory has an advantage over double-indexing theories like Kamp’s or Segerberg’s (or Stalnaker’s), which either embrace monsters or avoid them only by ad hoc stipulation, in the sharp conceptual distinction it draws between circumstances of evaluation and contexts of utterance. We shall argue that Kaplan’s prohibition is also essentially stipulative, and that it is too general. The main difference between ourselves and Kaplan is that the basic carriers of a truth-value is a sentence-in-a-context; our account is utterance-based.
Mixed quotation exhibits characteristics of both mention and use. Some even go so far as to claim it can be described wholly in terms of the pragmatics of language use. Thus, it may be argued that the observed shifting of indexicals under all quotation shows that a monstrous operator is involved. I will argue the opposite: a proper semantic account of quotation can be used to exorcize Schlenker's monsters from semantic theory.
Foucault's theoretical framework -- Foucault's monsters as genealogy : the abnormal individual -- An English legal history of monsters -- Changing sex : the problem of transsexuality -- Sharing bodies : the problem of conjoined twins -- Admixing embyros : the problem of human/animal hybrids -- Conclusion.
Discussion of Stefano Predelli, Modal monsters and talk about fiction
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