Musical ontology and the argument from creation
British Journal of Aesthetics 41 (3):279-292 (2001)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,631 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesSaam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
Simon J. Evnine (2009). Constitution and Qua Objects in the Ontology of Music. British Journal of Aesthetics 49 (3):203-217.
A. Kania (2012). In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown. British Journal of Aesthetics 52 (1):97-102.
Andrew Kania (2008). The Methodology of Musical Ontology: Descriptivism and its Implications. British Journal of Aesthetics 48 (4):426-444.
Stefano Predelli (2006). The Sound of the Concerto. Against the Invariantist Approach to Musical Ontology. British Journal of Aesthetics 46 (2):144-162.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads36 ( #32,922 of 548,972 )Recent downloads (6 months)1 ( #63,511 of 548,972 )How can I increase my downloads? |
My notes
Discussion
