Online research in philosophy

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This entirely new translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume includes: for the first time the indispensable first draft of Kant's introduction to the work; the only English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this new edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.

This paper concentrates on some aspects of the history of the analytic-synthetic distinction from Kant to Bolzano and Frege. This history evinces considerable continuity but also some important discontinuities. The analytic-synthetic distinction has to be seen in the first place in relation to a science, i.e. an ordered system of cognition. Looking especially to the place and role of logic it will be argued that Kant, Bolzano and Frege each developed the analytic-synthetic distinction within the same conception of scientific rationality, that is, within the Classical Model of Science: scientific knowledge as cognitio ex principiis . But as we will see, the way the distinction between analytic and synthetic judgments or propositions functions within this model turns out to differ considerably between them.

v. 1. Kant criticism from his own to the present time -- v. 2. Kant's Critique of pure reason -- v. 3. Kant's moral and political philosophy -- v. 4. Kant's Critique of judgment.

Be;atrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, moral philosophy, and aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgments. She argues that the elements which make up our cognitive access to the world have an equally important role to play in our moral evaluations and our aesthetic judgments. Her book will appeal to all interested in Kant and his thought, ranging over Kant's account of our representations of space and time, his conception of the logical forms of judgments, sufficient reason, causality, community, God, freedom, morality, and beauty in nature and art.

This paper presents an interpretation of Kant's analytic/ synthetic distinction and of the capacity he terms "sensibility" in order to offer a new account of Kant's claim that mathematics consists primarily of synthetic judgments which involve intuition. In Section 1, it is argued that the analytic/synthetic distinction is based upon a theory of concepts going back to Aristotle which sees these as organizable into genus/species hierarchies. Analytic judgments are those whose predicates are genus-related to the subject while synthetic judgments do not exhibit a genus/species relation between the predicate and the subject of the judgment. Section 2 considers the nature of sensibility which is argued to involve the discernment of mereological relations. Mathematics is then seen to involve the formation of concepts of these relations.

Abstract: This paper proposes a way to understand Kant's modalities of judgment—problematic, assertoric, and apodeictic—in terms of the location of a judgment in an inference. Other interpretations have tended to understand these modalities of judgment in terms of one or other conventional notion of modality. For example, Mattey (1986) argues that we should take them to be connected to notions of epistemic or doxastic modality. I shall argue that this is wrong, and that these kinds of interpretation of the modality of judgments cannot be reconciled with a key claim made by Kant, namely, that the modality of a judgment does not contribute to its content, and has nothing to do with the matter that is judged. I offer an alternative interpretation based upon Kant's explicating these modalities in terms of the location of a judgment in an inference, whereby the modality of a judgment is determined by the role a judgment plays in a given course of reasoning. If I am right, then Kant in fact presents an intriguing thesis pertaining to the inferential status and potential of all our judgments.

This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of pure judgments of taste, and the moral and systematic significance of taste. The fourth part considers two important topics often neglected in the study of Kant's aesthetics: his conceptions of fine art, and the sublime.

In twentieth-century Kant scholarship, few have provided an account of the analytic-synthetic distinction and of the problem of the synthetic a priori that takes into consideration the views of Kant's idealist successors such as Maimon, Fichte, Schelling, and Hegel. I first explain how Kant formulates the analytic-synthetic distinction in terms of the determinate-indeterminate distinction, which, in turn, is based on the distinction between general and transcendental logic. Kant's problem of the synthetic a priori , then, is the problem of showing how the logical forms of judgment can be employed determinately (and not merely indeterminately). I then show that Maimon also formulates the distinction and the problem in the same way, and that his interpretation will shape how Fichte, Schelling, and Hegel each construe and address Kant's question, How are synthetic judgments possible a priori ?

Quine criticised the semantic notion of analyticity that is often attributed to Frege and Kant for presupposing an essentialist theory of meaning. In what follows I trace back the notion from Quine via Carnap to Frege and Kant, and eventually examine Kant's distinction between analytic and synthetic judgements in more detail. It turns out that the so called Frege-Kant-notion of analyticity can not be attributed to Kant. In contrast, Kant had a distinctly pragmatic notion of analytic judgements. According to him analytic propositions elucidate certain presuppositions of our conceptual scheme, thereby serving the anti-metaphysical project of transcendental philosophy.

1. In Critique of Pure Reason Kant introduced the term ‘analytic’ for judgments whose truth is guaranteed by a certain relation of ‘containment’ between the constituent concepts, and ‘synthetic’ for judgments which are not like this. Closely related terms were found in earlier writings of Locke, Hume and Leibniz. In Kant’s definition, an analytic judgment is one in which ‘the predicate B belongs to the subject A, as something which is (covertly) contained in this concept A’ ([1781/1787] 1965: 48). Kant called such judgments ‘explicative’, contrasting them with synthetic judgments which are ‘ampliative’. A paradigmatic analyticity would be: bachelors are unmarried. Kant assumed that knowledge of analytic necessities has a uniquely transparent sort of explanation. In the succeeding two centuries the terms ‘analytic’ and ‘synthetic’ have been used in a variety of closely related but not strictly equivalent ways. In the early 1950s Morton White (1950) and W.V. Quine (1951) argued that the terms were fundamentally unclear and should be eschewed. Although a number of prominent philosophers have rejected their arguments, there prevails a scepticism about ‘analytic’ and the idea that there is an associated category of necessary truths having privileged epistemic status.