Marcuse, Aesthetics, and the Logic of Modernity
Epoché 14 (2):383-398 (2010)
| Abstract | Herbert Marcuse is a thinker associated with one of the most radical and totalising critiques of modernity ever produced. Marcuse maintains that contemporary capitalist society is a one-dimensional prison that is capable of perpetuating itself by incorporating any criticism into its logic. Despite this totalisation, Marcuse insists that the realm of aesthetics is capable of escaping the logic of modern capitalism and establishing an alternative society that is grounded in an alternative non-repressive logic. However, it is argued that not only does Marcuse ground this transformation in a specific economic formation thereby ensuring that it is economics not aestheticsthat grounds this social transformation, but his argument is based on a simplistic understanding of the relation between the aesthetic as a means of affecting individual transformation and the aesthetic affecting social transformation | |||||||||
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Douglas Kellner (1984). Herbert Marcuse and the Crisis of Marxism. University of California Press.
Christopher Holman (2011). Autonomy and Psychic Socialization: From Non-Alienated Labour to Non-Surplus Repressive Sublimation. Critical Horizons 12 (2):136-162.
Duston Moore (2008). Marcuse and Eternal Objects. Process Studies 37 (2):45-67.
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Rodney Fopp (2011). “Repressive Tolerance”: Herbert Marcuse's Exercise in Social Epistemology. Social Epistemology 24 (2):105-122.
Herbert Marcuse & Phillip Deen (2010). Herbert Marcuse's “Review of John Dewey's Logic: The Theory of Inquiry”. Transactions of the Charles S. Peirce Society 46 (2).
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