Online research in philosophy

Existentialism, by A. Macintyre.--Sartre the philosopher, by S. Hampshire.--The phenomenological philosophy in France, by I.W. Alexander.--Imagination, by H. Ishiguro.--Authenticity and obligation, by F.A. Olafson.--Pessimism and optimism in Sartre's thought, by F. Jeanson.--Sartre as critic, by H. Wardman.--Sartre's literary criticism, by O. Hahn.--Sartre as a playwright: The flies and Dirty hands, by W. Kaufmann.--Sartre as dramatist, by D. Bradby.--The existentialist rediscovery of Hegel and Marx, by G.L. Kline.--Sartre's ideal of social unity, by H.R. Burkel.--Praxis and dialectic in Sartre's critique, by A. Manser.--Sartre and the humanist tradition in sociology, by M.A. and D. Weinstein.--Bibliography (p. [387]-390).

Taking as its starting point recent claims that Jean-Paul Sartre's Critique de la Raison Dialectique was written as an attempt to overcome the historical relativism of Raymond Aron's Introduction à la philosophie de l'histoire , the present article traces this covert dialogue back to a fundamental disagreement between the two men over the interpretation of Wilhelm Dilthey's anti-positivist theory of Verstehen or 'understanding'. In so doing it counters a longstanding tendency to emphasise the convergence of Aron and Sartre's philosophical interests prior to the break in their friendship occasioned by the onset of the Cold War, suggesting that the causes of their later, radical political divergence were pregnant within this earlier philosophical divergence.

There is a sort of natural closeness between Sartre and violence. Many have claimed that Sartre was fascinated by violence. Authors as diverse as Michel-Antoine Burnier and Mohamed Harbi have criticised the violence in Sartre, and even Bernard-Henri Lévy sees in Sartre's preface to Fanon's Les Damnés de la Terre a 'Sartre possédé'. Unlike these authors, we claim that Sartre was in no way fascinated by violence. In his eyes, violence was an historical fact that was characteristic of his time and which he, personally, discovered at an early age. What is more, Sartre's violence is situational. If he discovered the world in books, it was also in books that he discovered violence. Books and history were the melting pots of a violence that haunts Sartre's work. The historical situations in which he found himself explain the omnipresence of violence in his work.

This article is about the chief character of Sartre?s unfinished trilogy of novels known as Les chemins de la liberté—Daniel, Mathieu?s fellow-student at the École normale, Daniel the "archangel," Daniel the shamefaced pederast, Daniel the gaping wound, Daniel the strange hero, Daniel the recurrent figure in many of Sartre?s works. We do not intend to offer yet another explanation of this handsome young literature professor?s convoluted character to the explanations that already exist, nor to interpret yet again his detestation of mankind and his prayers to God, which the author openly mocks. What we wish to do in these few pages is firstly to shed light on the procedures of Daniel?s imagination and evolution, and secondly to analyze how the author?s goals changed as, while writing the trilogy, he evolved from Gallimard?s up and coming star into the symbol of the search for freedom, the spokesman whom some disagreed with, criticised, despised, while others glorified him and praised him to the skies. We would like to try and elucidate the evolution of this character, steering between the free future of a literary work in progress and the ungraspable heart of darkness.

It is one of Sartre's greatest strengths that his declared aim was 'to write for his own time'. From the 1940s onward, he became ever less interested in 'timeless' questions, and ever more concerned to explore the concrete realities of his own age. This engagement with the contemporary makes it particularly tempting to consider what Sartre's responses to the events of our own age would be. Ever since his death in 1980, those of us who have drawn insight and inspiration from Sartre's works have tended to ask how Sartre might have judged particular political developments. And because of the central place given to violence in his thought, as well as his detailed reflections on the Second World War and the wars in Algeria and Vietnam, it is only natural to ask how Sartre would have responded to the appalling events of 11 September 2001 and the subsequent 'war on terror'.

This article stresses the importance of one of Sartre's often overlooked novels, The Age of Reason (1945), and the possibility that it should be considered an early attempt by Sartre to answer the questions he raises at the very end of Being and Nothingness (1943). Considered as a preliminary response to Being and Nothingness , this novel provides an opportunity to explore how ethics might be lived, and draws a clear distinction between a theoretical understanding of being-for-itself and living authentically. As such, it is argued that Sartre's fictional writings, especially The Age of Reason , must be taken seriously in Sartre scholarship.