The aesthetics of falling: Contingency in avant-garde art from Charles Baudelaire to Lars von Trier
Empedocles 2 (1):79-94 (2011)
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Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.
Gerald Keaney (2011). A New Avant-Garde? Rethinking Marxism 23 (4):556-564.
Krzysztof Ziarek (2004). The Force of Art. Stanford University Press.
Maarten Doorman (2003). Art in Progress: A Philosophical Response to the End of the Avant-Garde. Amsterdam University Press.
Bert Cardullo (2011). Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. Journal of Aesthetic Education 45 (2):1-16.
Kim Socha (2012). Women, Destruction, and the Avant-Garde: A Paradigm for Animal Liberation. Rodopi.
Mark Antliff (2007). Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939. Duke University Press.
Antti Salminen (2010). From Avant-Garde to Para-Garde : "The Truth About Marika". In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Sianne Ngai (2012). Our Aesthetic Categories: Zany, Cute, Interesting. Harvard University Press.
Mary Bittner Wiseman (2007). Subversive Strategies in Chinese Avant-Garde Art. Journal of Aesthetics and Art Criticism 65 (1):109-119.
Robert B. Ray (1995). The Avant-Garde Finds Andy Hardy. Harvard University Press.
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