David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Educational Philosophy and Theory 37 (1):7–27 (2005)
The ‘music appreciation as contemplation’ paradigm of traditional aesthetics and music education assumes that music exists to be contemplated for itself. The resulting distantiation of music and music education from life creates a legitimation crisis for music education. Failing to make a noteworthy musical difference for society, a politics of advocacy attempts to justify music education. Praxial theories of music, instead, see music as pragmatically social in origin, meaning, and value. A praxial approach to music education stresses that appreciation is seen in use; thus, it seeks to ‘make a difference’ that students and society find musically noteworthy
|Keywords||curriculum‐as‐practicum praxis music appreciation music education legitimation crisis aesthetics advocacy|
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References found in this work BETA
Pierre Bourdieu (1998). Practical Reason on the Theory of Action. Monograph Collection (Matt - Pseudo).
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J. Dunne (2000). Back to the Rough Ground:Phronesis' andTechne'in Modern Philosophy and in Aristotle (Bernd Bartl). Australasian Journal of Philosophy 78 (1):140-141.
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