David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Epoché: A Journal for the History of Philosophy 14 (1):131-142 (2009)
One of the central notions running through Heidegger’s oeuvre, early and late, is that of ‘world.’ By examining some issues and problems surrounding Heidegger’s statements relating to ‘world’ in his essay “The Origin of the Work of Art,” both aspects of Heidegger's broader trajectory of thought, as well as the workings of the artwork essay itself are thereby illuminated. Several, partially competing senses of ‘world’ are discovered in “The Origin of the Work of Art,” and their provenance traced to specific concerns of Heidegger. In a hermeneutic strategy of immanent critique, the artwork essay is shown to harbour the resources for its own deconstruction, and to do so precisely at certain aporetic textual points centred around the concept ‘world.’
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Nicolas de Warren (2007). Off the Beaten Path. Environmental Philosophy 4 (1/2):29-48.
Nicolas de Warren (2007). Off the Beaten Path: The Artworks of Andrew Goldsworthy. Environmental Philosophy 4 (1-2):29-48.
K. Gover (2008). The Overlooked Work of Art in “the Origin of the Work of Art”. International Philosophical Quarterly 48 (2):143-153.
Julian Young (2004). Heidegger's Philosophy of Art. Cambridge University Press.
Shane Mackinlay (2010). Heidegger's Temple: How Truth Happens When Nothing is Portrayed. Sophia 49 (4):499-507.
Babette Babich, From Van Gogh's Museum to the Temple at Bassae: Heidegger's Truth of Art and Schapiro's Art History.
Fred Rush (2001). The Availability of Heidegger?S Later Thought. Inquiry 44 (2):201 – 222.
James Magrini (2010). The Work of Art and Truth of Being as “Historical”: Reading Being and Time, “The Origin of the Work of Art,” and the “Turn” in Heidegger’s Philosophy of the 1930s. Philosophy Today 54 (4):346-363.
James Magrini, The Origin of the Work of Art: Historicality, Temporality, and Destiny in Heidegger's Philosophy of the 1930s.
Tom Huhn (1996). The Movement of Mimesis: Heidegger's 'Origin of the Work of Art' in Relation to Adorno and Lyotard. Philosophy and Social Criticism 22 (4):45-69.
Patrick Hutchings (2012). 'The Origin of the Work of Art': Heidegger. Sophia 51 (4):465-478.
John Bruin (1992). Heidegger and the World of the Work of Art. Journal of Aesthetics and Art Criticism 50 (1):55-56.
Dominic Heath Griffiths (2006). On the Uses and Advantages of Poetry for Life. Reading Between Heidegger and Eliot. Dissertation, University of Pretoria
Added to index2011-12-01
Total downloads30 ( #65,958 of 1,410,304 )
Recent downloads (6 months)2 ( #95,293 of 1,410,304 )
How can I increase my downloads?