Online research in philosophy

Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining-The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.

This paper explicates Merleau-Ponty's highly original theory of subjectivity and intersubjectivity. Merleau-Ponty challenges traditional philosophy/psychology by rejecting the notion of subjective awareness as an introspective awareness of the private contents of one's own consciousness. For Merleau-Ponty, the subjective is a prereflective, prepersonal bodily openess to an anonymous visibility, a visibility in which both the individual and others participate. Thus, for Merleau-Ponty, the personal/ subjective and the shared/ intersubjective overlap. This view escapes the individualism of the West and the collectivism of authoritarian communism. It provides a balanced theory for both political theory and practice.

I would like to show how with Sartre, Merleau-Ponty, and Levinas, we have to do with three different ways of understanding the experience of the other. For Sartre it is a visual experience, the experience of being looked at by the other, so that the experience of the other is understood as a confrontation; for Merleau-Ponty, the experience of the other necessarily implies coexistence and what he calls intercorporeality, so that for him the other is never to be found in front, but instead beside me, in reciprocity with me; for Levinas, the experience of the other is the experience of a non-reciprocity, of an assymetrical relation, because the experience of the other is for him an ethical and not an ontological experience, and because this experience of the face of the other is the experience of a speaking and not in the first place corporeal presence. There are consequently three different ways of finding an access to the other : the look for Sartre, intercorporeality for Merleau-Ponty and the face for Levinas.

: Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining--The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.

In this study, I examine the significance of the trace and its legibility in the phenomenologies of Merleau-Ponty and Levinas, showing that this trope plays a more significant role in Merleau-Ponty's thinking than has been recognized heretofore and that it constitutes a crucial point of contact between Merleau-Ponty and Levinas. But this point of contact is also, in both their philosophies, a site where their thinking is compelled to confront its limits and the enigmas involved in the description of the topography of a hermeneutical flesh. It is argued that the significance of the trace consists in its alterity, its registering and inscribing in the very matter of the flesh an imperative spiritual assignment: the morally binding hold of the other person on my capacity to be responsive to the other's needs and bear responsibility for the other's welfare. The retrieval or recuperation of the trace, which, I argue, is inscribed as a certain predisposition in what, borrowing from Merleau-Ponty, we might call the prepersonal topology of the flesh, would thus constitute a task of the utmost importance for the formation of the moral self. However, given the paradoxical temporality of the trace and the hermeneutical nature of its legibility, the retrieval of the trace is not actually possible. Nevertheless, the attempt to retrieve it - one's commitment to retrieving it - is an absolutely imperative existential task, determining the character of the moral self. In both Merleau-Ponty and Levinas, however, the problematic nature of this recuperative project is manifested in the ambiguous, equivocal modality of their rhetoric, supposedly engaged in the phenomenological description of the primordial 'inscription', but oscillating, in fact, undecidably between descriptive and prescriptive, constative and performative, literal and metaphorical modes of discourse. It is argued that this, far from being a fault, is necessitated by the hermeneutic nature of the trace, which requires that the description be invocative and evocative, provoking a deep transformation in experience that would make the description true. It accordingly becomes clear that and why the moral phenomenologies of Merleau-Ponty and Levinas, depending as they must on a metaphorical interaction between language and experience, cannot function within the framework of the traditional correspondence theory of truth.

This essay outlines how Western culture, and in particular the practice of architecture, has failed to develop a nuanced and ethical approach to alterity. It examines Maurice Merleau-Ponty's conception of the flesh as a process of continual self-interrogation through perceptual acts that intertwine communality and difference, establishing a shared world through interlocution, and explores how the work of Merleau-Ponty and Luce Irigaray augment each other to deepen our understanding of alterity. It then examines architectural design as an intercorporeal and intersubjective act that creatively refigures sedimented spatial and social habits. Using the example of an architectural design studio, it demonstrates how designers can critically confront nuances of alterity through investigating the corporeal and social depths of architecture.

Kant's Imperatives -- Imperatives in Kant's metaphysics of morals -- Imperatives in the critique of judgment -- The role of reason and freedom in Kant's doctrine -- Contemporary phenomenology's response to Kant's Imperatives -- Imperatives in Merleau-Ponty's Phenomenology of perception -- Merleau-Ponty and Kant's Imperatives -- Imperative style and levels -- Imperatives in Levinas's doctrines of sensibility and alterity -- Sensation and sensibility -- Alterity, infinity, exteriority, and asymmetry -- Alterity and language -- Privileged heteronomy versus autonomy -- Alphonso Lingis : between categorical and hypothetical imperatives -- Lingis as kantian phenomenologist : imperative necessity -- Force and form -- Kant's typology : illustrations of imperative force -- Lingis's critique of Kant -- Lingis's critique of phenomenology via the imperative -- Elemental and sublime imperatives -- Conclusion: Subjectivity and subjection.

While there have been many essays devoted to comparing the work of Maurice Merleau-Ponty with that of Jacques Derrida, there has been no sustained book-length treatment of these two French philosophers. Additionally, many of the essays presuppose an oppositional relationship between them, and between phenomenology and deconstruction more generally.

Jack Reynolds systematically explores their relationship by analyzing each philosopher in terms of two important and related issues—embodiment and alterity. Focusing on areas with which they are not commonly associated (e.g., Derrida on the body and Merleau-Ponty on alterity) makes clear that their work cannot be adequately characterized in a strictly oppositional way. Merleau-Ponty and Derrida: Intertwining Embodiment and Alterity proposes the possibility of a Merleau-Ponty-inspired philosophy that does not so avowedly seek to extricate itself from phenomenology, but that also cannot easily be dismissed as simply another instantiation of the metaphysics of presence. Reynolds argues that there are salient ethico-political reasons for choosing an alternative that accords greater attention to our embodied situation.