Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space
Cambridge University Press (1995)
| Abstract | This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarme;, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of representation, and is currently at the forefront of critical enquiry. This is the first book to examine Symbolism and abstraction in this way, and the first to treat these poets and painters together. It is an original contribution to interdisciplinary scholarship in art history, literary history, and comparative aesthetics. | |||||||||
| Keywords | Imagination Symbolism (Literary movement Art, Abstract French poetry History and criticism | |||||||||
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| Buy the book | $51.01 new (11% off) $57.00 direct from Amazon Amazon page | |||||||||
| Call number | BH301.I53.R49 1995 | |||||||||
| ISBN(s) | 0521421020 9780521421027 0521619351 | |||||||||
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John D. Lyons (2005). Before Imagination: Embodied Thought From Montaigne to Rousseau. Stanford University Press.
Richard Thomas Eldridge (2003). An Introduction to the Philosophy of Art. Cambridge University Press.
Paul Crowther (2007). Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford University Press.
Robert Pippin (2007). What Was Abstract Art? (From the Point of View of Hegel). In Stephen Houlgate (ed.), Hegel and the Arts. Northwestern University Press.
E. T. Dubois (1961). Some Aspects of Baroque Landscape in French Poetry of the Early Seventeenth Century. Journal of Aesthetics and Art Criticism 19 (3):253-261.
Hugh Barr Nisbet (ed.) (1985). German Aesthetic and Literary Criticism. Cambridge University Press.
Moshe Barasch (1985/2000). Theories of Art. Routledge.
Robert Greer Cohn (1975). Modes of Art. Anma Libri.
Moshe Barasch (1990). Modern Theories of Art. New York University Press.
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