Abstract

This essay takes issue with an Allegory of Vision from the beginning of the 17th century. It is part of a cycle of five paintings on the five senses jointly produced by Jan Brueghel the Elder and Peter Paul Rubens around 1617, and it belongs now to the permanent collection of the Museo del Prado. The description deliberately concentrates on the botanical elements of the painting. In the first and the last part of the paper, I offer an interpretation of some of the construction principles of this allegory of the visual sense. Emphasis is thereby laid on the multiple facets ofrepresentation with which Brueghel played in rendering the diverse objects of this cabinet. In the middle part, a condensed view of the historical context of Jan I Brueghel’s flower painting is given. Baroque flower painting in Flanders and the Dutch provinces was nourished by the development of the science of Botany in the sixteenth century, by the establishment of an exquisite garden culture, and by a growing commerce with exotic plants