Graduate studies at Western
Oxford University Press (2011)
|Abstract||Introduction -- Navigating the neosurreal : background and premises -- Neosurrealist tendencies in recent films -- Neosurrealist metamusicals, flow and camp aesthetics -- In tandem with the random : loose synchronisation and remediation in Philip Glass's -- La Belle et la Bête and The dark side of Oz -- The surrealism of the virtual band in the digital age : Gorillaz' "Clint Eastwood" and "Feel good inc." -- Back to the garden? Performing the disaffected acoustic imaginary in the digital age -- Concluding thoughts : all that is solid melts into air?|
|Keywords||Music Philosophy and aesthetics Motion picture music Philosophy and aesthetics Surrealism and music|
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|Call number||ML3849.R488 2011|
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