An Eye for Music: Popular Music and the Audiovisual Surreal

Oxford University Press (2011)
Abstract
Introduction -- Navigating the neosurreal : background and premises -- Neosurrealist tendencies in recent films -- Neosurrealist metamusicals, flow and camp aesthetics -- In tandem with the random : loose synchronisation and remediation in Philip Glass's -- La Belle et la Bête and The dark side of Oz -- The surrealism of the virtual band in the digital age : Gorillaz' "Clint Eastwood" and "Feel good inc." -- Back to the garden? Performing the disaffected acoustic imaginary in the digital age -- Concluding thoughts : all that is solid melts into air?
Keywords Music Philosophy and aesthetics  Motion picture music Philosophy and aesthetics  Surrealism and music
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Call number ML3849.R488 2011
ISBN(s) 9780195367362   0195367367
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