Story planning: Creativity through exploration, retrieval, and analogical transformation
Minds and Machines 20 (4):589-614 (2010)
| Abstract | Storytelling is a pervasive part of our daily lives and culture. The task of creating stories for the purposes of entertaining, educating, and training has traditionally been the purview of humans. This sets up the conditions for a creative authoring bottleneck where the consumption of stories outpaces the production of stories by human professional creators. The automation of story creation may scale up the ability to produce and deliver novel, meaningful story artifacts. From this practical perspective, story generation systems replicate the creative abilities of humans and can thus be considered instances of computational creativity. Computational systems that are purported to be creative typically utilize one of three general approaches: exploration of a space of concepts, combination of concepts, and transformation of concepts. In this article we present an approach to story generation that utilize exploration, combination, and transformation. Our approach, implemented in the Vignette Based Partial Order Causal Link story planner, is an algorithm that searches through a space of possible story solutions, guided by combinations of existing story fragments called vignettes. The vignettes are made relevant to novel story generation contexts through an automated transformation pre-process. Through these processes, we show that story generation can incorporate multiple perspectives on computational creativity. Our approach is presented at both the theoretical and technical levels. | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | No categories specified (fix it) | |||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,631 |
| External links |
|
| Through your library | Configure |
Carlos León & Pablo Gervás (2010). The Role of Evaluation-Driven Rejection in the Successful Exploration of a Conceptual Space of Stories. Minds and Machines 20 (4):615-634.
Maureen C. Hearns (2009). A Journey Through Ashes: One Woman's Story of Surviving Domestic Violence. Anthropology of Consciousness 20 (2):111-129.
Aaron Smuts (2009). Story Identity and Story Type. Journal of Aesthetics and Art Criticism 67 (1):5-14.
Moisés del Pino Peña (2008). From Be-Usurped to Be-Re-Owned. Proceedings of the Xxii World Congress of Philosophy 26:37-42.
Keith Lehrer (2011). Stories, Exemplars, and Freedom. Social Theory and Practice 37 (1):1-17.
Bence Nanay (forthcoming). An Experiential Account of Creativity. In Elliot Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. Oxford University Press.
Charles B. Daniels (1987). “The Story Says That” Operator in Story Semantics. Studia Logica 46 (1):73 - 86.
Robert Elliot Allinson (2011). The Butterfly, the Mole and the Sage. Asian Philosophy 19 (3):213-223.
Tony E. Jackson (2009). The Technology of the Novel: Writing and Narrative in British Fiction. Johns Hopkins UP.
David M. Boje (2010). Resituating Narrative and Story in Business Ethics. Business Ethics 19 (3):253-264.
Rebecca Ann Lind (1996). Race and Viewer Evaluations of Ethically Controversial Tv News Stories. Journal of Mass Media Ethics 11 (1):40 – 52.
Monthly downloads |
Added to index2010-11-18Total downloads3 ( #201,695 of 548,973 )Recent downloads (6 months)0How can I increase my downloads? |

