Deeper than Reason: Emotion and its Role in Literature, Music, and Art
Clarendon Press (2007)
|Abstract||Deeper than Reason takes the insights of modern psychological and neuroscientific research on the emotions and brings them to bear on questions about our emotional involvement with the arts. Robinson begins by laying out a theory of emotion, one that is supported by the best evidence from current empirical work on emotions, and then in the light of this theory examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone who is interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics, especially with questions about emotional expression in the arts, emotional experience of art forms, and, more generally, artistic interpretation. Part One develops a theory of emotions as processes, having at their core non-cognitive 'instinctive' appraisals, 'deeper than reason', which automatically induce physiological changes and action tendencies, and which then give way to cognitive monitoring of the situation. Part Two examines the role of the emotions in understanding literature, especially the great realistic novels of the nineteenth century. Robinson argues that such works need to be experienced emotionally if they are to be properly understood. A detailed reading of Edith Wharton's novel The Reef demonstrates how a great novel can educate us emotionally by first evoking instinctive emotional responses and then getting us to cognitively monitor and reflect upon them. Part Three puts forward a new Romantic theory of emotional expression in the arts. Part Four deals with music, both the emotional expression of emotion in music, whether vocal or instrumental, and the arousal of emotion by music. The way music arouses emotion lends indirect support to the theory of emotion outlined in Part One. While grounded in the science of emotion, Deeper than Reason demonstrates the continuing importance of the arts and humanities to our lives.|
|Keywords||No keywords specified (fix it)|
|External links||This entry has no external links. Add one.|
|Through your library||Configure|
Similar books and articles
Derek Matravers (1998). Art and Emotion. Oxford University Press.
Nick Zangwill (2007). Music, Metaphor, and Emotion. Journal of Aesthetics and Art Criticism 65 (4):391–400.
Nick Zangwill (2007). Music, Emotion and Metaphor. Journal of Aesthetics and Art Criticism 65 (4):391-400.
Curtis Fogel (2008). Jenefer Robinson, Deeper Than Reason: Emotion and its Role in Literature, Music, and Art. Minds and Machines 18 (2).
Christy Mag Uidhir (2012). Getting Emotional Over Contours: Response to Seeley. Essays in Philosophy 13 (2):518-521.
Edmund T. Rolls (2007). Emotion Explained. OUP Oxford.
P. M. S. Hacker (2009). The Conceptual Framework for the Investigation of Emotions. In Ylva Gustafsson, Camilla Kronqvist & Michael McEachrane (eds.), Emotions and Understanding: Wittgensteinian Perspectives. Palgrave Macmillan.
Peter Goldie (ed.) (2010). The Oxford Handbook of Philosophy of Emotion. Oxford University Press.
Peter Goldie (2000/2002). The Emotions: A Philosophical Exploration. Oxford University Press.
K. M. Higgins (2007). Review: Deeper Than Reason: Emotion and Its Role in Literature, Music, and Art. [REVIEW] Mind 116 (461):209-212.
Warren A. Shibles (1995). Emotion in Aesthetics. Kluwer Academic Publishers.
Susan L. Feagin (2007). Deeper Than Reason: Emotion and Its Role in Literature, Music, and Art (Review). Philosophy and Literature 31 (2):420-422.
Nick Zangwill (2004). Against Emotion: Hanslick Was Right About Music. British Journal of Aesthetics 44 (1):29-43.
Peter M. S. Hacker (2004). The Conceptual Framework for the Investigation of the Emotions. International Review of Psychiatry 16 (3):199-208.
Sorry, there are not enough data points to plot this chart.
Added to index2012-01-31
Recent downloads (6 months)0
How can I increase my downloads?