David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
OUP Oxford (2004)
'When Gregor Samsa awoke one morning from troubled dreams he found himself transformed in his bed into a monstrous insect ...' So begins Franz Kafka's most famous story Metamorphosis. Franz Kafka (1883-1924) is among the most intriguing and influential writers of the twentieth century. During his lifetime he worked as a civil servant and published only a handful of short stories, the best known being The Transformation. All three of his novels, The Trial, The Castle, and The Man Who Disappeared [America], were published after his death and helped to found Kafka's reputation as a uniquely perceptive interpreter of the twentieth century. Kafka's fiction vividly evokes bizarre situations: a commercial traveller is turned into an insect, a banker is arrested by a mysterious court, a fasting artist starves to death in the name of art, a singing mouse becomes the heroine of her nation. Attending both to Kafka's crisis-ridden life and to the subtleties of his art, Ritchie Robertson shows how his work explores such characteristically modern themes as the place of the body in culture, the power of institutions over people, and the possibility of religion after Nietzsche had proclaimed 'the death of God'. The result is an up-to-date and accessible portrait of a fascinating author which shows us ways to read and make sense of his perplexing and absorbing work.
|Keywords||No keywords specified (fix it)|
No categories specified
(categorize this paper)
|Buy the book||$5.32 new (56% off) $10.38 direct from Amazon (14% off) Amazon page|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Patrick J. Glen, The Deconstruction and Reification of Law in Franz Kafka's 'Before the Law' and 'the Trial'.
Judith Chelius Stark (2002). The Arrest in Kafka and Solzhenitsyn. International Journal of Applied Philosophy 16 (1):103-123.
Barry Smith (1981). Kafka and Brentano: A Study in Descriptive Psychology. In , Structure and Gestalt. Benjamins.
Martijn Boven (2012). Review of Chris Danta's Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot. [REVIEW] Radical Philosophy 174 (july/august):51-53.
David Suchoff (2007). Kafka's Jewish Languages: The Hidden Openness of Tradition. Journal of Jewish Thought and Philosophy 15 (2):65-132.
Zach Horton (2012). Can You Starve a Body Without Organs? The Hunger Artists of Franz Kafka and Steve McQueen. Deleuze Studies 6 (1):117-131.
Martin Gardner (1948). Book Review:The Kafka Problem. Angel Flores; Kafka's Prayer. Paul Goodman. [REVIEW] Ethics 58 (2):144-.
Gary Genosko (2012). Guattari TV, By Kafka. Deleuze Studies 6 (2):210-223.
Félix Guattari (2009). Project for a Film by Kafka. Deleuze Studies 3 (2):150-161.
Caroline Sheaffer-Jones (2009). 'Pardon for Not Meaning': Remarks on Derrida, Blanchot and Kafka. Derrida Today 2 (2):245-259.
Added to index2012-01-31
Total downloads3 ( #308,184 of 1,102,037 )
Recent downloads (6 months)1 ( #306,606 of 1,102,037 )
How can I increase my downloads?