David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Research in Phenomenology 38 (1):18-40 (2008)
For the purposes of analytical clarity it is possible to distinguish two ways in which Nancy's ontology of sense appeals to art. First, he uses 'art' as a metaphorical operator to give features to his ontology (such as surprise and wonder); second, the practice of the contemporary arts instruct the terms of his ontological project because, in his view, this practice catches up with the fragmentation of existence and thus informs ontology about the structure of existence today. These two different roles—in which 'art' is both a general category able to stage the features of sense in general and a particularly striking example of the alteration sense undergoes in our times—make available for Nancy different perspectives on the question of sense. On the one hand, the general category of 'art' allows Nancy to construct a characterology of sense around terms such as surprise and novelty; on the other, the appeal to the fractal practice of the 'contemporary arts' supports the project of giving an account of sense.This paper analyses the effects on Nancy's conception of sense of these different appeals to 'art' and the practice of 'the contemporary arts.' Are the locales from which these different perspectives on sense take shape compatible? In what ways do they inflect each other or, alternatively, undermine the perspectives of the other on the question of sense? Finally, what do these two strands tell us about what Nancy expects of 'art' and what would happen to his ontology of sense without the different appeals he makes to it?
|Keywords||SOCIAL BEING NANCY ONTOLOGY OF SENSE ART CONTEMPORARY ARTS|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Darren Sheppard, Simon Sparks & Colin Thomas (eds.) (1997). On Jean-Luc Nancy: The Sense of Philosophy. Routledge.
Peter Kügler (2011). Sense, Category, Questions: Reading Deleuze with Ryle. Deleuze Studies 5 (3):324-339.
Stephen Barker (2009). Threshold (Pro-)Positions: Touch, Techné, Technics. Derrida Today 2 (1):44-65.
Peter Kivy (1995). The "Sense" of Beauty and the Sense of "Art": Hutcheson's Place in the History and Practice of Aesthetics. Journal of Aesthetics and Art Criticism 53 (4):349-357.
Alison Ross (2007). The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy. Stanford University Press.
Marie-Eve Morin (2009). Thinking Things: Heidegger, Sartre, Nancy. Sartre Studies International 15 (2):35-53.
Jean-Luc Nancy (1993). The Birth to Presence. Stanford University Press.
Jean-Luc Nancy (2006). Multiple Arts: The Muses II. Stanford University Press.
Jean-Luc Nancy (1996). The Muses. Stanford University Press.
Added to index2009-01-28
Total downloads38 ( #111,079 of 1,911,732 )
Recent downloads (6 months)7 ( #98,230 of 1,911,732 )
How can I increase my downloads?