David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 48 (1):20-28 (2008)
This paper attempts a rational reconstruction of the Humean notion of an ideal critic. Claiming that the traits of practice and comparison can only arise through the gradual accumulation of experience, I argue that Humean critics are real, not ideal. After discussing the nature of perfection and the relation of delicacy to the other Human traits, I propose two supplements to Hume's list: imaginative fluency and emotional responsiveness. I close by examining a trio of challenges to my view and supporting a mitigated aesthetic nonrealism.
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Carl Baker & Jon Robson (2015). An Absolutist Theory of Faultless Disagreement in Aesthetics. Pacific Philosophical Quarterly 97 (2):n/a-n/a.
Stephanie Ross (2011). Ideal Observer Theories in Aesthetics. Philosophy Compass 6 (8):513-522.
S. Ross (2014). When Critics Disagree: Prospects for Realism in Aesthetics. Philosophical Quarterly 64 (257):590-618.
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