The aesthetic anomaly : criticism, art and politics in European philosophy (from Adorno to Ranciere)
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Joseph J. Tanke (2010). Why Rancière Now? Journal of Aesthetic Education 44 (2):pp. 1-17.
Colin McQuillan (2011). The Intelligence of Sense: Ranciere’s Aesthetics. Symposium 15 (2):11-27.
M. W. Skees (2011). Kant, Adorno and the Work of Art. Philosophy and Social Criticism 37 (8):915-933.
James Gordon Finlayson (2012). The Artwork and the Promesse du Bonheur in Adorno. European Journal of Philosophy 21 (1).
Gabriel Rockhill (2011). Rancière's Productive Contradictions. Symposium 15 (2):28-56.
G. I. Demiryol (2012). Film as a Mobilizing Agent? Adorno and Benjamin on Aesthetic Experience. Philosophy and Social Criticism 38 (9):939-954.
Arne De Boever (2012). Scenes of Aesthetic Education: Rancière, Oedipus, and Notre Musique. Journal of Aesthetic Education 46 (3):69-82.
Raji Vallury (2009). Politicizing Art in Rancière and Deleuze : The Case of Postcolonial Literature. In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
Raymond Geuss (1998). Art and Criticism in Adorno's Aesthetics. European Journal of Philosophy 6 (3):297–317.
Christina Howells (2011). Rancière, Sartre and Flaubert. Symposium 15 (2):82-94.
Bed P. Paudyal (2009). Mimesis in Adorno's Aesthetic Theory. Journal of Philosophy: A Cross-Disciplinary Inquiry 4 (8):1-10.
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