David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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photographies 1 (1):9-28 (2008)
Twenty two years since the arrival of the first consumer digital camera (Tatsuno 36) Western culture is now characterised by ubiquitous photography. The disappearance of the camera inside the mobile phone has ensured that even the most banal moments of the day can become a point of photographic reverie, potentially shared instantly. Supported by the increased affordability of computers, digital storage and access to broadband, consumers are provided with new opportunities for the capture and transmission of images, particularly online where snapshot photography is being transformed from an individual to a communal activity. As the digital image proliferates online and becomes increasingly delivered via networks, numerous practices emerge surrounding the image’s transmission, encoding, ordering and reception. Informing these practices is a growing cultural shift towards a conception of the Internet as a platform for sharing and collaboration, supported by a mosaic of technologies termed Web 2.0.
|Keywords||photography new media network culture digital art snapshot everyday|
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Citations of this work BETA
Barbara Scifo (2009). The Sociocultural Forms of Mobile Personal Photographs in a Cross-Media Ecology: Reflections Starting From the Young Italian Experience. Knowledge, Technology and Policy 22 (3):185-194.
Daniel Rubinstein (2010). Tag, Tagging. Philosophy of Photography 1 (2):197-200.
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