Winckelmann and Casanova in Rome: A case study of religion and sexual politics in eighteenth-century Rome
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Journal of Religious Ethics 38 (2):297-320 (2010)
There are three “scandals” that appear in most discussions of Johann Joachim Winckelmann (1717–1768), the so-called father of modern Art History: his allegedly careerist conversion to Catholicism in 1754; his semi-secret homoerotic discourse while under Vatican employ in the early-to-mid 1760s; and his shocking murder in Trieste in 1768. Of the three, Winckelmann's sexuality has garnered the most attention in recent scholarship. A little-known story reported by Casanova during his second visit to Rome in 1761 has something to do with that. In this essay, I argue that we make too much of sexuality these days and, in so doing, fail to register the far more radical religious activities in which Winckelmann was involved, most notably the creation and curation of the Vatican Museums, with their almost casual display of naked statues of pagan divinities. Winckelmann's “profanity,” not his sexuality, constitutes the revolutionary core of his life's work and enduring influence. The statues he discussed so passionately were not simply naked; they were pagan
|Keywords||Winckelmann Vatican museums early modern sexuality|
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References found in this work BETA
Walter Kendrick (1997). The Secret Museum: Pornography in Modern Culture. University of California Press.
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Eve Kosofsky Sedgwick (1990). Epistemology of the Closet. University of California Press.
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Alex Potts (1994). Flesh and the Ideal Winckelmann and the Origins of Art History. Monograph Collection (Matt - Pseudo).
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