Online research in philosophy

This paper develops the view presented in our 1997 paper "Varieties of Quotation". In the first part of the paper we show how phenomena such as scare-quotes, echoing and mimicry can be treated as what we call Speech Act Heuristics. We then defend a semantic account of mixed quotation. Along the way we discuss the role of indexicals in mixed quotation and the noncancelability of reference to words in mixed quotation. We also respond to some objections raised by Recanati, Saka, Stainton and Reimer.

It has proved challenging to account for the dual role that a directly quoted part of a 'that'-clause plays in so-called mixed quotation. The Davidsonian account, elaborated by Cappelen and Lepore, handles many cases well; but it fails to accommodate a crucial feature of mixed quotation: that the part enclosed in quotation marks is used to specify not what the quoter says when she utters it, but what the quoted speaker says when she utters it. Here I show how the Davidsonian can do better. The proposal rests on the idea that mixed quotation involves deferred demonstration: a mixed quotati on specifies what the subject says partly by demonstrating the quoter's utterance of the unquoted part and partly by deferred-demonstrating the subject's utterance of the quotation-marked part.

Can one and the same quotation be used on different occasions to quote distinct objects? The view that it can is taken for granted throughout the literature (e.g. Goddard & Routley 1966, Christensen 1967, Davidson 1979, Goldstein 1984, Jorgensen et al 1984, Atlas 1989, Clark & Gerrig 1990, Washington 1992, García-Carpintero 1994, 2004, 2005, Reimer 1996, Saka 1998, Wertheimer 1999). Garcia-Carpintero (1994, p. 261) illustrates with the quotation expression ''gone''. He says it can be used to quote any of the following items.

There are at least four varieties of quotation, including pure, direct, indirect and mixed. A theory of quotation, we argue, should give a unified account of these varieties of quotation. Mixed quotes such as 'Alice said that life is 'difficult to understand'', in which an utterance is directly and indirectly quoted concurrently, is an often overlooked variety of quotation. We show that the leading theories of pure, direct, and indirect quotation are unable to account for mixed quotation and therefore unable to provide a unified theory. In the second half of the paper we develop a unified theory of quotation based on Davidson's demonstrative theory. 'Language is the instrument it is because the same expression, with semantic features (meaning) unchanged, can serve countless purposes.' (Davidson 1968).

Cappelen and Lepore's "Uarieties of Quotation" builds on Davidson (1968, 1979) to give an account of mixed quotation. The result is a hach paper, which introduces interesting data and raises many thought-provoking questions. Given this, I can't possibly discuss the paper in its entirety. Instead, I intend simply to paraphrase their position, develop it a little, and then raise a few concerns.

This paper develops the view presented in our 1997 paper "Varieties of Quotation". In the first part of the paper we show how phenomena such as scare-quotes, echoing and mimicry can be treated as what we call Speech Act Heuristics. We then defend a semantic account of mixed quotation. Along the way we discuss the role of indexicals in mixed quotation and the noncancelability of reference to words in mixed quotation. We also respond to some objections raised by Recanati, Saka, Stainton and Reimer.

A striking feature of Cappelen and Lepore's Davidsonian theory of quotation is the range of the overlooked data to which it offers an elegant semantical analysis. Recently, François Recanati argued for a pragmatic account of quotation, on the basis of new data that Cappelen and Lepore overlooked. In this article I expose what seem to me the weak points in Recanati's alternative approach, and show how proponents of the demonstrative theory can account for the data on which Recanati bases his theory.

Research on quotation has mostly focussed in the past years on mixed or open quotation. In a recent book-length discussion of the topic, Cappelen and Lepore have abandon their previous Davidsonian allegiances, proposing a new view that they describe as minimalist, to a good extend on the basis of facts concerning mixed quotation. In this paper I critically review Cappelen and Lepore’s new minimalist proposals, briefly outlining my preferred Davidsonian view as a useful foil. I explore first their allegedly non-Davidsonian, anti-contextualist views about pure quotation, and then their new views on mixed quotation. I have complained in the first place that their proposals are not presented as perspicuously as they should be; and in the second place that, when we have a clearer picture of what appears to be the favoured account, the differences with their previous proposals and others already in the literature are not as great as they claim.