David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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University of Chicago Press (1991)
Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."--Richard Schacht, Times Literary Supplement.
|Keywords||Greek drama (Tragedy Appreciation Greek drama (Tragedy History and criticism Tragic, The Music Philosophy and aesthetics Dionysus (Greek deity Apollo (Greek deity Literature Philosophy Metaphysics|
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|Buy the book||$7.99 used (86% off) $19.10 new (31% off) $27.50 direct from Amazon Amazon page|
|Call number||B3313.G43.S24 1991|
|ISBN(s)||0226734374 0226734366 9780226734378|
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Citations of this work BETA
Sean D. Kirkland (2011). Nietzsche and Drawing Near to the Personalities of the Pre-Platonic Greeks. Continental Philosophy Review 44 (4):417-437.
Timothy Freeman (2013). The Shimmering Shining. Comparative and Continental Philosophy 5 (1):49-66.
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