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- Jean-Paul Sartre (1992). Notebooks for an Ethics. University of Chicago Press.A major event in the history of twentieth-century thought, Notebooks for a Ethics is Jean-Paul Sartre's attempt to develop an ethics consistent with the profound individualism of his existential philosophy. In the famous conclusion to Being and Nothingness , Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, the Notebooks reveal Sartre at his most productive, crafting a masterpiece of philosophical reflection that can easily stand alongside his other great works. Sartre grapples anew here with such central issues as "authenticity" and the relation of alienation and freedom to moral values. Exploring fundamental modes of relating to the Other--among them violence, entreaty, demand, appeal, refusal, and revolt--he articulates the necessary transition from individualism to historical consciousness. This work thus forms an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason . The Notebooks themselves are complemented here by two additional essays, one on "the good and subjectivity," the other on the oppression of blacks in the United States. With publication of David Pellauer's lucid translation, English-speaking readers will be able to appreciate this important contribution to moral philosophy and the history of ethics. Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot , and The Freud Scenario , both published in translation by the University of Chicago Press.
Similar books and articles
In both Being and Nothingness and the Notebooks for an Ethics we are told how one needs the Ego to get along in the everyday world, but yet at the same time that it is a psychic phenomenon that easily distorts everyday experience. In this paper, it is shown how, for Sartre, friends can play an important role by helping each other overcome the vested interest in maintaining the experience of a false, set identity that is engendered by the Ego. In addition, reference to the Notebooks will make it clear that support per se is insufficient to enable one to transcend the constraints of an entrenched Ego, and that instead this form of aid must be taken in conjunction with challenge, or a type of positive conflict, if one is going to be able effectively to help a friend for the task in question.
There is a sort of natural closeness between Sartre and violence. Many have claimed that Sartre was fascinated by violence. Authors as diverse as Michel-Antoine Burnier and Mohamed Harbi have criticised the violence in Sartre, and even Bernard-Henri Lévy sees in Sartre's preface to Fanon's Les Damnés de la Terre a 'Sartre possédé'. Unlike these authors, we claim that Sartre was in no way fascinated by violence. In his eyes, violence was an historical fact that was characteristic of his time and which he, personally, discovered at an early age. What is more, Sartre's violence is situational. If he discovered the world in books, it was also in books that he discovered violence. Books and history were the melting pots of a violence that haunts Sartre's work. The historical situations in which he found himself explain the omnipresence of violence in his work.
Andrew Dobson charts Sartre's transformation from novelist and apolitical philosopher of existentialism, before the Second World War, to a committed defender of Marxism and Marxist method after it. Examining Sartre's post-war work in detail, he shows how the biographies of Baudelaire, Genet and Flaubert, often considered tangential to his main oeuvres, are in fact central to this defence of Marxism, and should therefore be read as acts of political commitment. Andrew Dobson's study is new in its use of posthumous sources, including one of the first extended commentaries in English of Volume II of the Critique of dialectical reason, and in its insistence on reading Sartre's philosophical development as primarily politically motivated. It provides a clear reading of some of Sartre's less familiar works, situating them in an overarching social and political project.
Several lines of analysis support the contention that Sartres theorizing can be used to bolster feminist concerns. Both philosophical and literary works are examined, and Notebooks for an Ethics, The Flies and The Respectful Prostitute are examined at some length. The commentary of Flynn, Bell and Pellauer is employed, and in general the argument relies on the notion that the construction of the for-itself, along with Sartres generalized portrayal of the Other, can be used for feminist purposes. Key Words: gender theory Sartre transcendence.
This essay revisits the question of Sartre's method with particular emphasis on the posthumously published Notebooks for an Ethics , Critique of Dialectical Reason ( Volume II ), and “Morale et histoire.” I argue that Sartre's method—an ever-evolving though never seamless blend of phenomenological description, dialectical analysis, and logical inference—is at once the seed and fruit of his mature ontology of praxis. Free organic praxis, what Sartre more than once calls “the human act,” is neither closed nor integral, but is rather intrinsically open-ended and integrative. Thus a philosophical method that seeks at once to illuminate human experience and human history must itself be both a reflection and inflection of the essential openness and integrativity of praxis itself. In the conclusion, I argue that the openness and integrativity of Sartre's method are its core strengths and the sources of its continued philosophical worth.
In the present essay I shall attempt three tasks. First, I shall try to illustrate the frequency and contexts in which Sartre associates violence with bad faith. Though focusing primarily on Notebooks for an Ethics, I shall want to show that this connection is hardly confined to that uncompleted and fragmented work. Second, and usually within the same context, I shall aim to make evident the sense or senses in which Sartre ascribes bad faith to violence. For example, what aspects or dimensions of his analysis of bad faith in Being and Nothingness apply here? Third, I want to raise a fundamental question, intended in part to be critical: If, indeed, violence instantiates bad faith, on what grounds can, or does, Sartre justify it on occasion? Given his overall and persistent criticism of bad faith, as well as his embrace of a conversion to authenticity, how can he, in good conscience, strongly endorse, even justify, violence in specified situations? Is there not an inconsistency here? Would not a justification of violence be tantamount to his justifying bad faith in certain circumstances? If so, is not Sartre in bad faith regarding the justification of violence?
Existentialist Ethics Ethics was Sartre's principal concern, beginning with his famous and complex treatment of "bad faith" in Being and Nothingness, and continuing through his massive posthumously-published Notebooks for an Ethics of the late 1940's, and his mostly unpublished lecture notes that date back to 1964. This volume contains highly informed analyses of all of these materials and other Sartrean works on ethics, as well as interpretations emphasizing the confrontation of his ethical ideas with inauthenticity, sexism, and racism.
Jean-Paul Sartre is one of the most famous philosophers of the twentieth century. The principal founder of existentialism, a political thinker and famous novelist and dramatist, his work has exerted enormous influence in philosophy, literature, politics and cultural studies. Jean-Paul Sartre: Basic Writings is the first collection of Sartre's key philosophical writings and provides an indispensable resource for readers of his work. Stephen Priest's clear and helpful introductions make the volume an ideal companion to those coming to Sartre's writing for the first time.
Truth and Existence , written in response to Martin Heidegger's Essence of Truth , is a product of the years when Sartre was reaching full stature as a philosopher, novelist, playwright, essayist, and political activist. This concise and engaging text not only presents Sartre's ontology of truth but also addresses the key moral questions of freedom, action, and bad faith. Truth and Existence is introduced by an extended biographical, historical, and analytical essay by Ronald Aronson. " Truth and Existence is another important element in the recently published links between Sartre's existentialist ontology and his later ethical, political, and literary concerns. . . . The excellent introduction by Aronson will help readers not experienced in reading Sartre."-- Choice "Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure."-- Publishers Weekly Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot , and The Freud Scenario , both published in translation by the University of Chicago Press.
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