Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity
Journal of Aesthetics and Art Criticism 58 (2):149-161 (2000)
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Aaron Ridley (1997). Not Ideal: Collingwood's Expression Theory. Journal of Aesthetics and Art Criticism 55 (3):263-272.
Aaron Ridley (1998). Collingwood's Commitments: A Reply to Hausman and Dilworth. Journal of Aesthetics and Art Criticism 56 (4):396-398.
Charles B. Fethe (1982). Hand and Eye: The Role of Craft in R. G. Collingwood's Aesthetic Theory. British Journal of Aesthetics 22 (1):37-51.
Stanley H. Rosen (1959). Collingwood and Greek Aesthetics. Phronesis 4 (2):135-148.
R. G. Collingwood (1925). Plato's Philosophy of Art. Mind 34 (134):154-172.
R. Wollheim (1972). On an Alleged Inconsistency in Collingwood's Aesthetic. In M. Krausz (ed.), Critical Essays on the Philosophy of R. G. Collingwood. Oxford, Oxford University Press.
Christopher Janaway (1992). Arts and Crafts in Plato and Collingwood. Journal of Aesthetics and Art Criticism 50 (1):45-54.
T. J. Diffey (1985). Art and Goodness: Collingwood's Aesthetics and Moore's Ethics Compared. British Journal of Aesthetics 25 (2):185-198.
R. Kavanath (1991). Collingwood, Aesthetics and a Theory of Craft. International Studies in Philosophy 23 (3):13-26.
Douglas R. Anderson & Carl R. Hausman (1992). The Role of Aesthetic Emotion in R. G. Collingwood's Conception of Creative Activity. Journal of Aesthetics and Art Criticism 50 (4):299-305.
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