David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy in the Contemporary World 12 (1):71-73 (2005)
This paper suggests certain differences between the interpretation of Indian classical music and the interpretation of Western classical music. In Indian music the work is constituted in the moment of a recital. The performer is the maker of the music. Accordingly, the performer simultaneously produces a work and interprets it. Further, in the Indian tradition. music is a path of “bhakti yoga,” or a path of devotion
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Nils-Göran Sundin (1994). Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music After 1750. University of Jyväskylä.
Cynthia R. Nielsen (2009). “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”. Expositions 3:57-71.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Gilbert Fischer (2001). More Than Meets the Ear: A Study of the Semantics of Music. University Press of America.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Andrew Kania, The Philosophy of Music. Stanford Encyclopedia of Philosophy.
Michael Krausz (ed.) (1993). The Interpretation of Music: Philosophical Essays. Oxford University Press.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Geoffrey Hodson (1976). Music Forms: Superphysical Effects of Music Clairvoyantly Observed. Theosophical Pub. House.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
R. A. Sharpe (2000). Music and Humanism: An Essay in the Aesthetics of Music. Oxford University Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Sorry, there are not enough data points to plot this chart.
Added to index2011-01-09
Total downloads1 ( #505,938 of 1,679,397 )
Recent downloads (6 months)1 ( #183,003 of 1,679,397 )
How can I increase my downloads?