David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy in the Contemporary World 12 (1):71-73 (2005)
This paper suggests certain differences between the interpretation of Indian classical music and the interpretation of Western classical music. In Indian music the work is constituted in the moment of a recital. The performer is the maker of the music. Accordingly, the performer simultaneously produces a work and interprets it. Further, in the Indian tradition. music is a path of “bhakti yoga,” or a path of devotion
|Keywords||No keywords specified (fix it)|
No categories specified
(categorize this paper)
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Nils-Göran Sundin (1994). Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music After 1750. University of Jyväskylä.
Cynthia R. Nielsen (2009). “What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”. Expositions 3:57-71.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Gilbert Fischer (2001). More Than Meets the Ear: A Study of the Semantics of Music. University Press of America.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Andrew Kania, The Philosophy of Music. Stanford Encyclopedia of Philosophy.
Michael Krausz (ed.) (1993). The Interpretation of Music: Philosophical Essays. Oxford University Press.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Geoffrey Hodson (1976). Music Forms: Superphysical Effects of Music Clairvoyantly Observed. Theosophical Pub. House.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
R. A. Sharpe (2000). Music and Humanism: An Essay in the Aesthetics of Music. Oxford University Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Sorry, there are not enough data points to plot this chart.
Added to index2011-01-09
Total downloads1 ( #467,071 of 1,140,105 )
Recent downloads (6 months)1 ( #147,976 of 1,140,105 )
How can I increase my downloads?