Online research in philosophy

Ross argues that the location problem for color-the problem of how it is represented as occupying a particular location in space-constitutes an objection to color subjectivism. There are two ways in which the location problem can be interpreted. First, it can be read as a why-question about the relation of visual experience to the environment represented: Why does visual experience represent a patch of color as located in this part of space rather than that? On this interpretation, the subjectivist can answer Ross's objection by appealing to the physical location of reflectance rather than color. Second, it can be read as a how-question about visual representation itself: How does visual experience put together the experience of a color with the experience of its being located in space? This version makes the location problem a problem about visual experience itself and renders the ontology of color irrelevant to its solution. The location problem is thus no more a problem for the color subjectivist than for the color realist.

We present work demonstrating that the nature of an object for our visual system depends on the actions we are programming and on the presence of action relations between stimuli. For example, patients who show visual extinction are more likely to become aware of two objects if the objects fall in appropriate visual locations for a common action. This effect of the action relations between objects is modulated both by the familiarity of the positioning of the objects for action, and by the mere possibility of action (the ‘affordance’) between the objects. In addition, the programming of an action to a part of an object alters the representation of that object, making the ‘part’ into the object selected by the visual system. These results point to object coding being a rather flexible process, affected not only by the perceptual properties of stimuli but also by the relations between these properties and action. We discuss the implications for theories of perception as well as considering why action information, in particular, may be important for perception.

Abstract: When I throw a ball at you, do you see it as catch-able? Do we perceive objects as edible, climbable or Q-able in general? One could argue that it is just a manner of speaking to say so: we do not really see an object as edible, we only infer on the basis of its other properties that it is. I argue that whether or not an object is edible or climbable is indeed represented perceptually: we see objects as edible, and do not just believe that they are. My argument proceeds in two steps. First, I argue that in order to perform an action Q with respect to an object, we need to represent this object as Q-able and, second, I argue that we represent objects as having these properties perceptually.

Co-location is compatible with the doctrine of microphysical supervenience. Microphysical supervenience involves intrinsic qualitative properties that supervene on microphysical structures. Two different objects, such as Socrates and the lump of tissue of which he is constituted, can be co-located objects that supervene on different sets of properties. Some of the properties are shared, but others, such as the human-determining properties or the lump-determining properties, supervene only on one object or the other. Therefore, properties at the same location can be arranged so as to constitute more than one object at the same time.

Color subjectivists claim that, despite appearances to the contrary, the world external to the mind is colorless. However, in giving an account of color perception, subjectivists about the nature of perceived color must address the nature of perceived spatial location as well. The argument here will be that subjectivists’ problems with coordinating the metaphysics of perceived color and perceived location render color perception implausibly mysterious. Consequently, some version of color realism, the view that colors are (physical, dispositional, functional, sui generis, or some other) properties of physical objects, is correct.

The concept of a physical object has figured prominently in the history of philosophy, and is probably more important now than it has ever been before. Yet the question What are physical objects?, i.e., What is the correct analysis of the concept of a physical object?, has received surprisingly little attention. The purpose of this paper is to address this question. I consider several attempts at answering the question, and give my reasons for preferring one of them over its rivals. The account of physical objects that I recommend – the Spatial Location Account – defines physical objects as objects with spatial locations. The intuitive idea behind the Spatial Location Account is this. Objects from all of the different ontological categories – physical objects; non-physical objects like souls, if there are any; propositions; universals; etc. – have this much in common: they all exist in time. But not all of them exist in space. The ones that exist in time and space, i.e., the ones that have spatial locations, are the ones that count as physical objects.

The fundamental philosophical interest in perception is to answer the question of how perception can give us knowledge of the world. One of the challenges in answering this question is that perception is necessarily tied to a particular time and place. One necessarily perceives from a particular location and at a particular time. As a consequence, what is immediately perceptually available is subject to situational features, such as one’s point of view and the lighting conditions. But although objects are always perceived subject to situational features, one can perceive the shape and color of objects.¹ One can perceive the shape of objects although only the facing surfaces are visible and one can perceive two objects to be the same size although one is nearer than the other. Similarly, one can perceive the uniform color of a surface although parts of it are illuminated more brightly than others² and one can recognize the sound of a cello regardless of whether it is played on a street or in a concert hall. More generally, one can perceive the properties objects have regardless of the situational features, although one always perceives them subject to situational features.

I argue that perception is necessarily situation-dependent. The way an object is must not just be distinguished from the way it appears and the way it is represented, but also from the way it is presented given the situational features. First, I argue that the way an object is presented is best understood in terms of external, mind-independent, but situation-dependent properties of objects. Situation-dependent properties are exclusively sensitive to and ontologically dependent on the intrinsic properties of objects, such as their shape, size, and color, and the situational features, such as the lighting conditions and the perceiver’s location in relation to the perceived object. Second, I argue that perceiving intrinsic properties is epistemically dependent on representing situation-dependent properties. Recognizing situation-dependent properties yields four advantages. It makes it possible to embrace the motivations that lead to phenomenalism and indirect realism by recognizing that objects are presented a certain way, while holding on to the intuition that subjects directly perceive objects. Second, it acknowledges that perceptions are not just individuated by the objects they are of, but by the ways those objects are presented given the situational features. Third, it allows for a way to accommodate the fact that there is a wide range of viewing conditions or situational features that can count as normal. Finally, it makes it possible to distinguish perception and thought about the same object with regard to what is represented.

We perceive things in the external world as spatially located both with respect to each other and to ourselves, such that they are in principle accessible from where we seem to be. I hear the door bang behind me; I feel the pen on the desk over to my right; and I see you walking beneath the line of pictures, from left to right in front of me. By displaying these spatial relations between its objects and us, the perceivers, perception places us in the perceived world: our world and the world we perceive are one. Clearly this is not achieved by our continually perceiving ourselves along with the things around us, and thus recovering our position with respect to them. Indeed I shall argue that there are serious difficulties with the suggestion that this might be the basic mechanism for perceptual self- location. Furthermore, I shall argue that our existence as an element of the objective order cannot be inferred from the raw given in sense perception. Hence it cannot even be on the right lines as an answer to the question 'What is it for perception to represent its objects as environmental to the subject?', that it should present these objects, along with the perceiving subject himself, or along with something from which his existence in the perceived world could be deduced, in the very same frame so to speak. Nevertheless it yields him an awareness of himself as there in the wings of that scene, genuinely located with respect to the action, yet somehow not normally quite getting onto the stage. And I shall argue here, that perceptual contents succeed in being self-locating in this way in..

How can perception yield knowledge of the world? One challenge in answering this question is that one necessarily perceives from a particular location. Thus, what is immediately perceptually available is subject to situational features, such as lighting conditions and one’s location. Nonetheless, one can perceive the shape and color of objects. My dissertation aims to provide an explanation for how this is possible. The main thesis is that giving such an explanation requires abandoning the traditional model of perception as a two-place relation between subjects and objects in favor of a model of perception as a three-place relation between subjects, objects, and situations.