In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
OUP Usa (2011)
This philosophically-inspired approach to the perception of form in early nineteenth-century music invites listeners and especially performers to assess and participate in the interpretation of transformative formal processes as they unfold in time. It proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Buy the book||$40.90 used (23% off) $44.87 new (16% off) $44.89 direct from Amazon (16% off) Amazon page|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Daniel K. L. Chua (1999). Absolute Music and the Construction of Meaning. Cambridge University Press.
Carl Dahlhaus (1982). Esthetics of Music. Cambridge University Press.
Carl Dahlhaus (1989). The Idea of Absolute Music. University of Chicago Press.
Jerrold Levinson (2009). Philosophy and Music. Topoi 28 (2):119-123.
John Lowell Brackett (2012). Zorn: Avant/Après/Passé. Avant: Trends in Interdisciplinary Studies 3 (T):316-323.
Berthold Hoeckner (ed.) (2006). Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
Michael Spitzer (2004). Metaphor and Musical Thought. University of Chicago Press.
Jerrold Levinson (2004). Music as Narrative and Music as Drama. Mind and Language 19 (4):428–441.
James H. Donelan (2008). Poetry and the Romantic Musical Aesthetic. Cambridge University Press.
Mark Andrew DeBellis (1995). Music and Conceptualization. Cambridge University Press.
Lydia Goehr (1992). The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford University Press.
Byron Almén (2008). A Theory of Musical Narrative. Indiana University Press.
Stephen Davies (2011). Musical Understandings. New York;Oxford University Press.
Added to index2012-01-31
Total downloads7 ( #440,909 of 1,911,757 )
Recent downloads (6 months)1 ( #458,113 of 1,911,757 )
How can I increase my downloads?