The paradox of fiction
Internet Encyclopedia of Philosophy (2002)
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Kate Fullbrook (1990). Free Women: Ethics and Aesthetics in Twentieth-Century Women's Fiction. Temple University Press.
Aaron Meskin & Jonathan M. Weinberg (2003). Emotions, Fiction, and Cognitive Architecture. British Journal of Aesthetics 43 (1):18-34.
Tyler Doggett & Andy Egan (2011). How We Feel About Terrible, Non-Existent Mafiosi. Philosophy and Phenomenological Research 84 (2):277-306.
R. A. Sharpe (2002). The Tale and the Teller. British Journal of Aesthetics 42 (4):415-418.
Garry Young (2010). Virtually Real Emotions and the Paradox of Fiction: Implications for the Use of Virtual Environments in Psychological Research. Philosophical Psychology 23 (1):1-21.
Peter Lamarque (1983). Fiction and Reality. In Peter Lamarque (ed.), Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen University Press.
Richard J. Gerrig (1989). Reexperiencing Fiction and Non-Fiction. Journal of Aesthetics and Art Criticism 47 (3):277-280.
Bijoy H. Boruah (1988). Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind. Oxford University Press.
DaniƩle Moyal-Sharrock (2009). The Fiction of Paradox: Really Feeling for Anna Karenina. In Ylva Gustafsson, Camilla Kronqvist & Michael McEachrane (eds.), Emotions and Understanding: Wittgensteinian Perspectives. Palgrave Macmillan.
R. Stecker (2011). Should We Still Care About the Paradox of Fiction? British Journal of Aesthetics 51 (3):295-308.
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