The woman in the painting and the image in the penny: An investigation of phenomenological doubleness, seeing-in, and “reversed seeing-in” [Book Review]

Philosophical Studies 139 (3):329 - 341 (2008)
Abstract
The experience of looking at a tilted penny involves a “phenomenological doubleness” in that it simultaneously seems to be of something circular and of something elliptical. In this paper, I investigate the phenomenological doubleness of this experience by comparing it to another case of phenomenological doubleness––the phenomenological doubleness of seeing an object in a painting. I begin by pointing out some striking similarities between the phenomenological characters of these two experiences. I then argue that these phenomenological characters have a common explanation. More specifically, I argue that the psychological mechanism that explains the phenomenological doubleness of the experience of seeing an object in a painting can be extended to also explain the phenomenological doubleness of the experience of seeing a tilted penny
Keywords Perception  Epistemology  Seeing-in  Kendall Walton  Elliptical penny
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