David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Synthese 95 (1):95 - 106 (1993)
Philosophical discussions of depiction sometimes suffer from a lack of differentiation between several questions concerning the nature of pictorial representation. To provide a suitable framework I distinguish six such questions and several levels on which one might want to proceed in order to answer some of them. With this background, I reconstruct Goodman's and Elgin's answer to the specific question: What distinguishes the pictorial from the verbal or linguistic? I try to reveal some major motivations behind their system-oriented approach and to indicate some reasons why a strategy of this kind is to a certain extent mandatory to grasp the nature of the pictorial. The system-relative and functional character of depiction has to be captured by every adequate theory.
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References found in this work BETA
Nelson Goodman (1968). Languages of Art. Bobbs-Merrill.
Nelson Goodman (1978). Ways of Worldmaking. Harvester Press.
Nelson Goodman (1972). Problems and Projects. Indianapolis,Bobbs-Merrill.
Nelson Goodman (1984). Of Mind and Other Matters. Harvard University Press.
Citations of this work BETA
Nicola Mößner (2015). Visual Information and Scientific Understanding. Axiomathes 25 (2):167-179.
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