Love and Sex: A Threesome
| Abstract | "Smooth groove poetry set to smooth groove R&B" or "soul-hip-hop-tinged feel music" � these are a couple of ways to describe Jill Scott�s sensational new work. Whatever Scott may lack in total vocal control, her maturity, her poetry jumps straight into your face addressing a full range of love and emotion themes: from the platonic to the incidental to the passionate to the forlornful. Each sentiment connects to an appropriate musical production ranging from the sultry classy sounds of mainstream adult soul music, to jazzy inflections over hip hop grooves, to inspirational beats supporting lyrical themes that at times address issues of black feminism, unrequited love and the multidimensional emotions of life�s complications. While the music is always supportive if not dominant, it is Scott�s poise at connecting lyrical literalness with a strong musical emotional element that gives this outstanding work its strength. You�ll never find a mushy sentiment or a confused musical phrase on this recording. It is rock solid throughout. | |||||||||
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Eliot Bates (2004). Glitches, Bugs, and Hisses : The Degeneration of Musical Recordings and the Contemporary Musical Work. In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Marshall Brown (2010). The Tooth That Nibbles at the Soul: Essays on Music and Poetry. University of Washington Press.
Thomas Carson Mark (2012). Motion, Emotion, and Love: The Nature of Artistic Performance. Gia Publications.
Nancy Sue Love (2002). "Singing for Our Lives": Women's Music and Democratic Politics. Hypatia 17 (4):71-94.
Caroline W. Meline (2011). Dialectic of Love and Freedom : Does It Constitute a Fifth Form of Love? In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
Christine Swanton (2010). A Challenge to Intellectual Virtue From Moral Virtue: The Case of Universal Love. Metaphilosophy 41 (1):152-171.
Donald Callen (1983). Transfiguring the Emotions in Music. Grazer Philosophische Studien 19:69-91.
Kathleen J. Wininger (2011). Comments on Alan Soble's Pornography, Sex, and Feminism. In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
Mane Hajdin (2011). Comments Onf Alan Soble's Pornography, Sex, and Feminism. In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
Erik J. Wielenburg (2011). Aristotelian Love-Making. In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
Ronald Suter (2011). Clarifying the Question, "What is This Thing Called Love?". In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
William O. Stephens (2011). Can a Stoic Love? In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
Steven Barbone (2011). Spinoza in Love. In Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love: 1993-2003. Rodopi.
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