David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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AI and Society 28 (2):133-145 (2013)
About 20 years ago, the ecology of media art practices proliferated in two domains: those that attached themselves to high technology labs or companies like Xerox PARC, and those that took advantage of personal computing to form collectives only loosely coupled to academic institutions or disciplines. In this essay, I closely examine the diverse epistemic cultures and diverse technical, political, and generational interests in such “cyber-anarchist” networks. I sketch the economy of knowledge in recent media arts and technology communities of practice in the wake of Open Source. I use as my lens the experience of creating a responsive media space called the TGarden, with a collective that gathered more than 26 artists and engineers from 11 institutions and 7 nations
|Keywords||Art and technology Science and technology studies Media art Autonomous production Responsive environments Open source Knowledge economy|
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References found in this work BETA
K. Knorr-Cetina (1999). Epistemic Cultures: How the Sciences Make Knowledge. Harvard University Press.
Bruno Latour & Steven Woolgar (1986). Laboratory Life; The Construction of Scientific Facts. Princeton University Press.
Jean-Pierre Dupuy (2000). The Mechanization of the Mind: On the Origins of Cognitive Science. Princeton University Press.
Citations of this work BETA
Karamjit S. Gill (2015). Beyond Systems: In Search of Poietic Thinking. AI and Society 30 (2):139-141.
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