David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
AI and Society 28 (2):133-145 (2013)
About 20 years ago, the ecology of media art practices proliferated in two domains: those that attached themselves to high technology labs or companies like Xerox PARC, and those that took advantage of personal computing to form collectives only loosely coupled to academic institutions or disciplines. In this essay, I closely examine the diverse epistemic cultures and diverse technical, political, and generational interests in such “cyber-anarchist” networks. I sketch the economy of knowledge in recent media arts and technology communities of practice in the wake of Open Source. I use as my lens the experience of creating a responsive media space called the TGarden, with a collective that gathered more than 26 artists and engineers from 11 institutions and 7 nations
|Keywords||Art and technology Science and technology studies Media art Autonomous production Responsive environments Open source Knowledge economy|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
Jean-Pierre Dupuy (2000). The Mechanization of the Mind: On the Origins of Cognitive Science. Princeton University Press.
K. Knorr-Cetina (1999). Epistemic Cultures: How the Sciences Make Knowledge. Harvard University Press.
Bruno Latour & Steven Woolgar (1986). Laboratory Life; The Construction of Scientific Facts. Princeton University Press.
Citations of this work BETA
No citations found.
Similar books and articles
Jon Dovey (2006). Game Cultures: Computer Games as New Media. Open University Press.
Sheila Jasanoff (ed.) (2004). States of Knowledge: The Co-Production of Science and Social Order. Routledge.
Maksymilian Del Mar (2011). Concerted Practices and the Presence of Obligations: Joint Action in Competition Law and Social Philosophy. [REVIEW] Law and Philosophy 30 (1):105-140.
Vincent di Norcia (2002). Diverse Knowledges and Competing Interests: An Essay on Socio-Technical Problem-Solving. Science and Engineering Ethics 8 (1):83-98.
Antonio López (2012). The Media Ecosystem: What Ecology Can Teach Us About Responsible Media Practice. Evolver Editions.
Naveen Mishra (2012). The Mainstreamisation of Cultural Diversity: The Corporates, Media and Similarisation of Publics in India. Journal for Communication and Culture 2 (2):139-159.
Daniel Memmi (2013). Cultural Consequences of Computing Technology. AI and Society 28 (1):77-85.
Xin Wei Sha (2007). Poetics of Performative Space. AI and Society 21 (4):607-624.
Jason Gao (2012). A Bourdieusian Study of the Use of Media by Chinese Public Intellectuals. Journal for Communication and Culture 2 (2):176-192.
Rayvon Fouché (ed.) (2007). Technology Studies. Sage Publications.
Ellen Messer-Davidow, David R. Shumway & David Sylvan (eds.) (1993). Knowledges: Historical and Critical Studies in Disciplinarity. University Press of Virginia.
Laura Ahonen & Home Studio Aesthetics : Tracking Cultural Processes of Popular Music Production (2006). Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity / Paulo C. Chagas ; "When New Media Was the Big Idea" : Internet and the Rethinking of Pop-Music Languages / Gianni Sibilla ; Mediated Stardom, Constructed Images : The Value and Functioning of Authorship in Popular Music. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Kirsty Best (2010). Redefining the Technology of Media. Techne 14 (2):140-157.
Added to index2012-03-14
Total downloads3 ( #346,193 of 1,692,745 )
Recent downloads (6 months)1 ( #182,244 of 1,692,745 )
How can I increase my downloads?