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- Anthony Ashley Cooper Shaftesbury (1999). Characteristics of Men, Manners, Opinions, Times. Cambridge University Press.Shaftesbury's Characteristics of Men, Manners, Opinions, Times was first published in 1711. It ranges widely over ethics, aesthetics, religion, the arts (painting, literature, architecture, gardening), and ancient and modern history, and aims at nothing less than a new ideal of the gentleman. Together with Locke's Essay Concerning Human Understanding and Addison and Steele's Spectator, it is a text of fundamental importance for understanding the thought and culture of Enlightenment Europe. This volume presents a new edition of the text together with an introduction, explanatory notes and a guide to further reading.
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Copyright ©2010–2015 all rights reserved. Jonathan Bennett [Brackets] enclose editorial explanations. Small ·dots· enclose material that has been added, but can be read as though it were part of the original text. Occasional •bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought. Every four-point ellipsis . . . . indicates the omission of a brief passage that seems to present more difficulty than it is worth. Longer omissions are reported between brackets in normal-sized type.—All the quotations from Latin writers were given in the original in Latin.—The Lord Somers to whom this work is addressed was the Lord Chancellor of England, the most highly placed official in the legal system.—This work is the first of the five Treatises in Shaftesbury’s Characteristics of men, manners, opinions, and times.
Shaftesbury publie son oeuvre majeure, Characteristics of men, manners, opinions, times en 1711. Son intérêt pour les questions esthétiques apparaît dans leurs relations avec le concept de ressemblance. Puisque l'art produit sa propre théorie de l'imitation, on ne saurait le réduire aux domaines des philosophies naturelle et morale. Shaftesbury publishes his most important work in 1711: Characteristics of men, manners, opinions, times. His interest in aesthetical matters can be seen in his dealings with the word of likeness. The argument that art produces its own theory of imitation prevents any reduction to natural or moral philosophy.
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