David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Often labelled as "indescribable," the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: · The legacy of the earliest, classical theories of the sublime through the romantic to the post-modern and avant-garde sublimity · The major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each · The significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era · How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
|Keywords||Sublime, The History|
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|Call number||BH301.S7.S53 2006|
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Wessel Stoker (2008). The Rothko Chapel Paintings and the 'Urgency of the Transcendent Experience'. International Journal for Philosophy of Religion 64 (2):89 - 102.
Wessel Stoker (2008). The Rothko Chapel Paintings and the ‘Urgency of the Transcendent Experience’. International Journal for Philosophy of Religion 64 (2):89-102.
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