The tale and the Teller
British Journal of Aesthetics 42 (4):415-418 (2002)
| Abstract | I shall describe yet another problem about fiction, similar in some respects to the ‘paradoxes of fiction’ on which so much ink has been spilt over the last quarter of a century. Since fictions are ‘made up’, what considerations stop us from making up our own endings to a fiction which is incomplete or whose ending we have lost or missed or whose ending is unpalatable? | |||||||||
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Amy Yang (2010). Psychoanalysis and Detective Fiction: A Tale of Freud and Criminal Storytelling. Perspectives in Biology and Medicine 53 (4).
C. L. Hardin (1991). Reply to Teller's Simpler Arguments Might Work Better. Philosophical Psychology 4:61-64.
Jukka Mikkonen (2010). Sutrop on Literary Fiction-Making: Defending Currie. Disputatio (28):151-157.
Jukka Mikkonen (2008). Philosophical Fiction and the Act of Fiction-Making. SATS 9 (2):116-132.
Frederick M. Keener (1983). The Chain of Becoming: The Philosophical Tale, the Novel, and a Neglected Realism of the Enlightenment: Swift, Montesquieu, Voltaire, Johnson, and Austen. Columbia University Press.
Peter Eldridge-Smith (2007). Paradoxes and Hypodoxes of Time Travel. In Jan Lloyd Jones, Paul Campbell & Peter Wylie (eds.), Art and Time. Australian Scholarly Publishing.
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