Animation: The fundamental, essential, and properly descriptive concept [Book Review]

Continental Philosophy Review 42 (3):375-400 (2009)
As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential foundations in animation.
Keywords Sentience  Feeling alive  Animate organism  Primal animation  Emotion  Affective and kinetic dynamics  Dynamic congruency  Primordial dynamism  Intrinsic dynamics  Tactile-kinesthetic bodies  Kinesthesia  Proprioception  Synergies of meaningful movement  The brain  Coping  Subject/world divide
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References found in this work BETA
Shaun Gallagher (2005). Dynamic Models of Body Schematic Processes. In Helena De Preester & Veroniek Knockaert (eds.), Body image and body schema. John Benjamins Publishing Company.
Shaun Gallagher, Phenomenological and Experimental Research on Embodied Experience. Atelier Phenomenologie Et Cognition: Theorie de la Cognition Et Necessité d'Une Investigation Phenomenologique.

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Citations of this work BETA
Maxine Sheets-Johnstone (2012). From Movement to Dance. Phenomenology and the Cognitive Sciences 11 (1):39-57.
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