Beauty, Play, and the Meaning of Life
Philo 12 (1):24-30 (2009)
| Abstract | This paper discusses the views of Moritz Schlick connecting aesthetics with the meaning of life. The fundamental question that Schlick asks is how anything appears beautiful. The discussion of the beautiful comes down to a discussion of aesthetic pleasure. Aesthetic pleasure has the characteristic of having no use defined in survival terms of self-preservation and propagation. Art, for Schlick, is seen as essentially play. Schlick addressed how his view that connects aesthetic pleasure and play essentially to the non-useful, can be explained in light of the theory of natural selection. Then this is related to the meaning of life as play or youth | |||||||||
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Hannah Ginsborg (2003). Aesthetic Judging and the Intentionality of Pleasure. Inquiry 46 (2):164 – 181.
Alexander Rueger (2008). The Free Play of the Faculties and the Status of Natural Beauty in Kant's Theory of Taste. Archiv für Geschichte der Philosophie 90 (3).
Philip Mallaband (2002). Understanding Kant's Distinction Between Free and Dependent Beauty. Philosophical Quarterly 52 (206):66-81.
F. J. Colman (2012). Play as an Affective Field for Activating Subjectivity: Notes on The Machinic Unconscious. Deleuze Studies 6 (2):250-264.
Diarmuid Costello (2004). On Late Style: Arthur Danto’s the Abuse of Beauty. British Journal of Aesthetics 44 (4):424-439.
Iddo Landau (forthcoming). Neurology, Psychology, and the Meaning of Life: On Thagard'sThe Brain and the Meaning of Life. Philosophical Psychology:1-15.
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Alexander Nehamas (2007). Only a Promise of Happiness: The Place of Beauty in a World of Art. Princeton University Press.
Roland A. Delattre (2003). Aesthetics and Ethics: Jonathan Edwards and the Recovery of Aesthetics for Religious Ethics. Journal of Religious Ethics 31 (2):277 - 297.
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